View full screen - View 1 of Lot 100. WORKSHOP OF TILMAN HEYSACKER, CALLED MEISTER TILMAN (ACTIVE CIRCA 1475-1515) | SAINT AGNES WITH HER LAMB.
100

WORKSHOP OF TILMAN HEYSACKER, CALLED MEISTER TILMAN (ACTIVE CIRCA 1475-1515) | SAINT AGNES WITH HER LAMB

UK: Greenford Park Warehouse

Estimate:

8,000 to - 12,000 GBP

WORKSHOP OF TILMAN HEYSACKER, CALLED MEISTER TILMAN (ACTIVE CIRCA 1475-1515) | SAINT AGNES WITH HER LAMB

WORKSHOP OF TILMAN HEYSACKER, CALLED MEISTER TILMAN (ACTIVE CIRCA 1475-1515) | SAINT AGNES WITH HER LAMB

Estimate:

8,000 to - 12,000 GBP

Lot sold:

20,000

GBP

WORKSHOP OF TILMAN HEYSACKER, CALLED MEISTER TILMAN (ACTIVE CIRCA 1475-1515)

GERMAN, COLOGNE, CIRCA 1490-1500

SAINT AGNES WITH HER LAMB


polychromed oak

65.5cm., 25¾in.


Please note: Condition 11 of the Conditions of Business for Buyers (Online Only) is not applicable to this lot.


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Overall the condition of the wood is good with minor dirt and wear to the surface to the surface consistent with age. There is wear to the polychromy, including some areas of loss, notably at the high points of the drapery, both hands, and the base. Particular wear also to the gilding of the hair. The polychromy has been refreshed in areas, including in the face and the red of of the drapery. There is some very minor stable splitting to the wood, consistent with the material, including to the drapery around the abdomen and very minor evidence of past worming in the same area. There is also some further minor splitting around the bottom. Another area of past worming in the crevices of the drapery below the fold falling from the Saint's proper left arm. A few very minor losses to the wood, including to the hair and possibly to the proper left ear of the lamb. A few joints are slightly visible, including at the thumb of the proper left hand (which may be replaced) and also at the proper right wrist, this section was probably carved separately originally. There is a metal dowel at the back, and some natural knots in the wood at the back. There would have been a now-lost attribute in the proper left hand.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.

Private collection, Germany

With her distinctive hairstyle, angular folds of drapery, and the pronounced S-curve in her stance, this charming Saint Agnes was almost certainly made in the workshop of the leading late Gothic sculptor in Cologne, Tilman Heysacker, who is traditionally referred to as Meister Tilman. A particularly striking comparison is found in a Female Saint from the master's workshop in the Liebieghaus, Frankfurt, illustrated in op. cit., p. 44.


RELATED LITERATURE

R. Karrenbrock (ed.), Die Holzskulpturen des Mittelalters, II: 1400 bis 1540, Teil 1: Köln, Westfalen, Norddeutschland, cat. Museum Schnütgen, Cologne, 2001, pp. 9–80