View full screen - View 1 of Lot 12. An Attic Black-figured Amphora, Attributed to the Painter of Louvre F6, circa 570-550 B.C..
12

An Attic Black-figured Amphora, Attributed to the Painter of Louvre F6, circa 570-550 B.C.

Estimate:

6,000

to
- 9,000 GBP

Property from a English Private Collection

An Attic Black-figured Amphora, Attributed to the Painter of Louvre F6, circa 570-550 B.C.

An Attic Black-figured Amphora, Attributed to the Painter of Louvre F6, circa 570-550 B.C.

Estimate:

6,000

to
- 9,000 GBP

Property from a English Private Collection

An Attic Black-figured Amphora

Attributed to the Painter of Louvre F6, circa 570-550 B.C.


painted on each side with a departure scene showing a gesturing warrior wearing greaves, tunic, corselet, sheathed sword, and high-crested helmet, and holding a shield emblazoned with dots, a draped figure standing on either side; rays above the foot, a band of ivy leaves above each scene; details in added red and white, a dipinto under the foot.

Height 33.5 cm.

Intact except for 2-inch wide section of rim repaired from two pieces, with associated hairline crack extending down to beneath top of handle. Repairs amateurishly done with no attempt at concealing them. There are even two strips of Scotch tape over some of them, even though no repair shows any sign of movement. Vase seems to have sustained this damage in modern times.

Slight abrasions to glaze along edge of foot and to outside edge of rim. Minor nicks overall.

Most of black glaze on foot, on body around panels, on handles and on neck was smeared with oily black paint, probably to conceal areas of flaking and/or misfiring.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.

perhaps London art market, prior to 1956
Frances Gurney Rylander, born Wilson (1911-1985), Coxtie Green, Brentwood, Sussex, briefly married to MI6 officer Claude Dansey (d. 1947)
by descent to the present owner

PUBLISHED 

(perhaps J. D. Beazley, Attic Black-figures Vase-painters, Oxford, 1956, p. 126, no. 54 (Beazley Pottery Archive Database, no. 300950: http://www.beazley.ox.ac.uk/record/650A92DA-A75E-49A6-9B81-B1912D69AEE3), according to an undated note by Prof. Charles Martin Robertson, Ashmolean Museum, Oxford

For closely related compositions on two amphoras by the same painter see Capitoline Museum, Rome, inv. no. B4 (http://www.beazley.ox.ac.uk/record/7C55C643-7356-48E5-9D94-3C66856CE793) and Antikensammlungen, Munich, inv. no. J637 (http://www.beazley.ox.ac.uk/record/0F66D542-3F88-4AE3-AEFA-BE93CC880D6A)