Alfred Stieglitz, Georgia O’Keeffe, Juan Hamilton: Passage
Alfred Stieglitz, Georgia O’Keeffe, Juan Hamilton: Passage
Auction Closed
March 5, 05:19 PM GMT
Estimate
4,000 - 6,000 USD
Lot Details
Description
GURO OR BETE ARTIST
ANTHROPOMORPHIC SPOON
wood
9 ⅝ inches
(24.5 cm)
Executed circa late 19th century.
Paul Guillaume, Paris, by 1914
Alfred Stieglitz, New York (acquired from the above in 1914)
Georgia O'Keeffe, Abiquiu, New Mexico, 1946 (by descent)
By descent to the present owner
"African Savages the First Futurists", The World Magazine, 24 January 1915, illustrated p. 20
Camera Work, Number 48, October 1916, illustrated
Marius de Zayas, Francis M. Naumann (ed.), How, When, and Why Modern Art Came to New York, Cambridge, Massachusetts, 1996, illustrated p. 58, fig. 65 (Stieglitz photograph of Statuary in Wood by African Savages: The Root of Modern Art)
Valentine Plisnier, "'Primitivism' in Twentieth Century Photography", Tribal Art, Vol. X:4, No. 41, illustrated p. 80, figs. 5 (Stieglitz photograph of Georgia O’Keeffe) and 5a
Wendy A. Grossman, Man Ray, African Art, and the Modernist Lens, Washington, D.C., and Minneapolis, Minnesota, 2009, illustrated p. 37, fig. 2.6 (Stieglitz photograph of Georgia O’Keeffe) and illustrated p. 38, fig. 2.7
Valentine Plisnier, Le primitivisme dans la photographie. L’impact des arts extra-européens sur la modernité photographique de 1918 à nos jours, Paris, 2012, illustrated pp. 108 and 109 (Stieglitz photograph of Georgia O’Keeffe)
Wendy A. Grossman, "African Art and the Photographic Image: Shaping the Taste for the Modern", Tribal Art (Special Issue No. 3), 2012, illustrated p. 56, figs. 57 (Stieglitz photograph of Georgia O’Keeffe) and 58
Lauren Kroiz, Creative Composites: Modernism, Race, and the Stieglitz Circle, Berkeley and Los Angeles, California, 2012, illustrated p. 81, fig. 37 (Stieglitz photograph of Statuary in
Wood by African Savages: The Root of Modern Art)
Patrick Caput and Valentine Plisnier, Arts d’Afrique. Portraits d’une collection, Milan, 2016, illustrated pp. 218 and 225 (Stieglitz photographs of Georgia O’Keeffe)
Yaëlle Biro, Fabriquer le regard. Marchands, réseaux et objets d’art africains à l’aube du XXe siècle, Paris, 2018, illustrated p. 203, fig. 41 (Stieglitz photograph of Statuary in Wood by African Savages: The Root of Modern Art)
John Warne Monroe, Metropolitan Fetish: African Sculpture and the Imperial French Invention of Primitive Art, Ithaca, New York, 2019, illustrated p. 95, fig. 3.2 (Stieglitz photograph of Statuary in Wood by African Savages: The Root of Modern Art)