Alfred Stieglitz, Georgia O’Keeffe, Juan Hamilton: Passage

Alfred Stieglitz, Georgia O’Keeffe, Juan Hamilton: Passage

View full screen - View 1 of Lot 66. ANSEL ADAMS  |  'GEORGIA O'KEEFFE AND ORVILLE COX, CANYON DE CHELLY NATIONAL MONUMENT, ARIZONA'.

ANSEL ADAMS | 'GEORGIA O'KEEFFE AND ORVILLE COX, CANYON DE CHELLY NATIONAL MONUMENT, ARIZONA'

Auction Closed

March 5, 05:19 PM GMT

Estimate

15,000 - 25,000 USD

Lot Details

Description

ANSEL ADAMS

1902 - 1984

'GEORGIA O'KEEFFE AND ORVILLE COX, CANYON DE CHELLY NATIONAL MONUMENT, ARIZONA'


mounted, signed Ansel Adams and with inscription For Juan Hamilton in pencil on the mount, the photographer's Carmel studio stamp (BMFA 11), with title Georgia O'Keeffe and Orville Cox, Canyon de Chelly National Monument, Arizona and date 1937 in ink, on the reverse, framed 

gelatin silver print

7 ¾ by 11 inches

(19.7 by 27.9 cm)

Executed in 1937, probably printed between 1973 and 1977.

Georgia O’Keeffe, Abiquiu, New Mexico

By descent to the present owner

Liliane De Cock, ed., Ansel Adams, Hastings-on-Hudson, New York, 1972, pl. 42, illustrated 

Ansel Adams and Mary Street Alinder, Ansel Adams: An Autobiography, Boston, Massachusetts, 1985, p. 227, illustrated 

James Alinder and John Szarkowski, Ansel Adams: Classic Images, Boston, Massachusetts, 1985, pl. 14, illustrated 

Mary Street Alinder and Andrea G. Stillman, eds., Ansel Adams: Letters and Images 1916-1984, Boston, Massachusetts, 1988, p. 99, illustrated 

Andrea G. Stillman, ed., The Grand Canyon and the Southwest, Boston, Massachusetts, 2000, p. 37, illustrated 

Karen E. Haas and Rebecca A. Senf, Ansel Adams in the Lane Collection, Museum of Fine Arts, Boston, Massachusetts, 2005, pl. 45, illustrated 

Andrea G. Stillman, Ansel Adams: 400 Photographs, Boston, Massachusetts, 2007, cover and p. 157, illustrated 

Susan Danly, Georgia O’Keeffe and the Camera: The Art of Identity, New Haven, Connecticut, 2008, pp. 15 and 63, illustrated

Wanda M. Corn, Georgia O’Keeffe: Living Modern, New York, 2018, p. 127, illustrated