Aboriginal Art

Aboriginal Art

View full screen - View 1 of Lot 13. NGALMARRKON, FEMALE LIGHTNING SPIRIT, 1976.

Property from a private collection, Sydney

Balang (Mick) Kubarkku

NGALMARRKON, FEMALE LIGHTNING SPIRIT, 1976

Lot Closed

December 4, 11:13 PM GMT

Estimate

12,000 - 18,000 USD

Lot Details

Description

Property from a private collection, Sydney

Balang (Mick) Kubarkku

circa 1920-2008

NGALMARRKON, FEMALE LIGHTNING SPIRIT, 1976


Natural earth pigments on eucalyptus bark

33 7/8 in by 26 in (86 cm by 66 cm) (irregular)

Maningrida Arts and Culture, Northern Territory
Gallery of Dreams, Hogarth Galleries, Sydney (distressed label attached verso)
Private collection, New South Wales
Deutscher and Hackett, Aboriginal + Oceanic Art, Melbourne, 14 October 2009, Lot No. 6
Private collection, New South Wales

Among the peoples of western Arnhem Land, Lightning Spirits are considered to be responsible for creating the spectacular electrical storms at the onset of the monsoon season known as kunemeleng. The region has one of the highest concentrations of lightning strikes in the world. Kubarkku has depicted Ngalmarrkon, in characteristic pose with multiple limbs that reflect the shards of lightning made by her throwing stone axe-heads, such as those depicted on her shoulders, down to the ground. The configuration of Barrkinj’s body refers to ngaldjurr the Leichhardt’s Grasshopper (Petasida ephippigera) that is active at that time of year.


Kubarkku was a mainstay of the artists’ group in the settlement of Maningrida where he commenced his public career in 1963. In 1972 he returned to live in his clan lands on the Mann River, where he painted Female Lightning Spirit. Kubarkku’s work is held in most major public art museums and private collections of Aboriginal art in Australia and overseas. He has been represented in several important exhibitions including Dreamings: The Art of Aboriginal Australia in New York in 1988.


Wally Caruana


Cf. For two similar works by the artist, held in the collection of the National Gallery of Victoria, see: Ryan, J., (ed), Land Marks, National Gallery of Victoria, Melbourne, 2006, p. 27