View full screen - View 1 of Lot 28. NATHANIEL HONE, R.H.A.  | CATTLE AT MALAHIDE .
28

NATHANIEL HONE, R.H.A. | CATTLE AT MALAHIDE

Estimate:

20,000 - 30,000 GBP

NATHANIEL HONE, R.H.A. | CATTLE AT MALAHIDE

NATHANIEL HONE, R.H.A. | CATTLE AT MALAHIDE

Estimate:

20,000 - 30,000 GBP

Lot sold:

25,200

GBP

NATHANIEL HONE, R.H.A.

1831-1917

CATTLE AT MALAHIDE 


oil on canvas

85 by 122cm., 33½ by 48in.

The canvas is lined. There are faint stretcher bar marks to the edges. There are some areas of craquelure predominantly located within the centre foreground of the landscape, which appears stable. The work appears slightly dirty and may benefit from a light clean. Otherwise the work appears in good condition.


Under ultraviolet light there appear to be areas of retouching along each edge and to the upper stretch bar mark. Some further spots of retouching through the sky.


Held in a gilt plaster frame.


"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Mr. T de Vere White;

Acquired by 1991

Cork, Rosc '71, October - December 1971 

Nathaniel Hone's views of the Malahide pastures are perhaps his most quintessential and admired. He executed several versions, other examples are held in the National Gallery of Ireland, such as Pastures at Malahide. These works date from the mid-1890s and show Hone at his most confident, the paintings employing bold brushwork and masterly capturing the fleeting effects of light. For another example of the artist's work in the present collection see lot 110, which dates from earlier in Hone's career in France.