View full screen - View 1 of Lot 80.  FOUAD KAMEL | UNTITLED (WOMAN WITH A HORSE).


Property from a Private Collection, London



Property from a Private Collection, London


(1919 - 1973)



signed and dated Fouad Kamel '38

oil on paper laid on board 

45.5 by 32.6cm. 16⅞ by 12⅞in.

Please note: Condition 11 of the Conditions of Business for Buyers (Online Only) is not applicable to this lot.

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This work is in good condition. Minor crack noticeable amid the centre red area of the work. On close inspection there is also minor craquelure noticeable on the top right of the work. 

The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Mrs. Mona Kamel, Cairo 

Collection of Mrs. Ursula Schernig, Germany 

Sotheby's London, 20th Century Art / Middle East, 25 April 2017, lot 22

Acquired from the above by the present owner 

Ursula Schernig’s passion for the arts started from her days at university and has remained an essential part of her life ever since. After finishing her studies at the University of History of Arts in Erlangen, Germany, Mrs. Schernig worked in the educational field for some years. She began her career in the arts as early as 1971, where she curated numerous exhibitions in The Netherlands. This experience in curating demonstrated her potential in the art world which subsequently led to the launch of her first gallery in 1978 under the name of Kunstgalerie am Ronhof in Fürth.

With the support of her husband, Mr. Gerhard Schernig, the couple relocated to Cairo in 1981 to embrace the ever-growing and rich cultural scene that this city had to offer. The couples’ affiliation with the arts continued in their new location as Mr. Schernig began teaching music at the city’s Deutsche Evangelische Oberschule, as well as supporting Mrs. Schernig’s newest establishment of the Hassan Ragab Gallery for Modern Egyptian Art. Imbuing the local scene and aura, the gallery was situated in a houseboat on the River Nile.

During her years at the gallery, Mrs. Schernig exhibited works from established and institutional Egyptian artists such as: Abdel Hadi El Gazzar, Hamed Nada and Kamel Khalifa, as well as launching the careers of young and aspiring artists of the time including Anna Boghigian. Profoundly passionate and involved in the Egyptian art scene, she started working with many local artists from the rural areas. She supported them through solo and group exhibitions at the Gallery; Sheikh Ramandan Abu Suelem, Hassan el Shark and Sayed Amin Fayed were among the artists she promoted. Throughout her days in Cairo, Mrs. Schernig, alongside her husband, began collecting many of the artists she represented and became close to, in an effort to preserve and support the local arts scene. This passion of collecting is reflected in this group where the avant-garde themes meet traditional Egyptian subjects. The works presented in this section were all collected between 1985 and 1990 when the gallery was most active, the majority acquired directly from the artists or their estates. The Schernig family stayed in Egypt until 1989.