signed and dated in pencil Bak / 76 lower right; numbered in pencil 11/26 on the reverse
screenprint on paper
unframed: 63 by 49cm., 24¾ by 19¼in.
framed: 67 by 52cm., 26¼ by 20½in.
The artist's sheet is loose. There are some light brown stains in the lower left corner along with some minor creases.There is a circa 1/5 cm tear in the centre of the lower framing edge. Colours are strong and vibrant. This work is ready to hang. Presented glazed and framed.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.
In 1962 Bak travelled to Moscow and St Petersburg, where he saw for the first time at first hand works by Matisse, Picasso, Leger and Kandinsky. Trips to Poland and Germany followed, and Bak became increasingly attracted to geometrical abstract, hard edge painting. Inspired by the German concretists, the signal artists and American and British representatives of geometrical abstraction and pop art, Bak focused on non-figurative painting, exploring both strong, pure colour and strictly structured, sharp forms and lines in his works. By fusing the universal symbolism of European and Central American cultures with some of the lessons he drew from conceptual art, Imre Bak fashioned a unique form of emblematic representation in his works from the 1970s.