Portrait of Lucien Fabre
Max Herman Maxy

Portrait of Lucien Fabre

Lot Closed

Portrait of Lucien Fabre
Portrait of Lucien Fabre
Portrait of Lucien Fabre
Portrait of Lucien Fabre
Portrait of Lucien Fabre
Portrait of Lucien Fabre
28

Max Herman Maxy

Portrait of Lucien Fabre

Estimate:

5,000 - 7,000 GBP

Max Herman Maxy

Max Herman Maxy

Portrait of Lucien Fabre

Portrait of Lucien Fabre

Estimate:

5,000 - 7,000 GBP

Lot sold:

56,700

GBP

Description

Max Herman Maxy

Romanian, 1895 - 1971

Portrait of Lucien Fabre


oil on canvas

unframed: 70 by 55cm., 27 1/2 by 21 3/4in.

framed: 90.5 by 75cm., 35¾ by 29½in.

Condition report

The artist's fine canvas has not been lined. Three small patches are visible on the reverse, all in the lower half of the composition. There are some scattered surface abrasions (notably near the centre of the lower edge, in a horizontal area near his right shoulder, patched on the reverse). There is a spot of paint flaking in the man's left temple and one in his right eyebrown, some spots of flaking towards the top of the right framing edge, and some other small spots visible on closer inspection.


Under ultra-violet light the varnish fluoresces evenly and quite opaquely; the main visible retouching appears to be a circa 1 by 5cm restoration in the lower-right of the composition (patched on the reverse), with some other small spots.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.

Literature

Michael Ilk, M.H. Maxy, Der Integrale Künstler 1895-1971, Berlin, 2003, p. 58, illustrated

Catalogue note

Executed in 1928.


Max Hermann Maxy was a Romanian painter, teacher, and set designer. Between 1913 and 1916 he studied and the School of Fine Art in Bucharest. During the First World War, he was mobilised and sent to the front, an experience that had a significant and lasting impact on his painting.


In 1918 he participated in a group exhibition with Iosif Ross and Iosif Steurer, featuring war scenes. In 1920 he held his first personal exhibition in Bucharest, also featuring paintings portraying his experiences from the front.


In 1922-1923 Maxy studied in Berlin and became a member of the November Group, a cultural organisation with Socialist leanings that promoted expressionist aspirations. In Berlin, he participated in exhibitions at Der Sturm Galleries, alongside Paul Klee and Louis Marcoussis.

Back in Bucharest in 1924, Maxy participated in the International Exhibition Contimporanul group. With the basis of Bauhaus in mind, Maxy established the Academy of Modern and Decorative Art. Maxy also founded Integral, an avant-garde review publication.


In 1926, Maxy spent time in Paris working on costumes and set designs for several productions. In 1929 he was awarded a gold medal at the International Exhibition in Barcelona. In the 1930s he took part in further exhibitions: with the Contimporanul and Criterion groups in Bucharest, and at the Rome Exhibition of the Group of Modern Art.


In the post-war years, Max Hermann Maxy achieved success and wide recognition in Romania, he was appointed director of the Art Museum of Romania and professor at the Nicolae Grigorescu Institute of Arts in Bucharest. He was also awarded the title of artist emeritus and many more awards in the following years by the Communist authorities. His works have been included in exhibitions of Romanian Art in Bucharest, Prague, Moscow, Berlin, Warsaw, Budapest, Sofia, Belgrade, Athens, Cairo, Damascus, and Istanbul.