View full screen - View 1 of Lot 15. JEAN-FRANÇOIS MILLET | FARMHOUSE AT GRUCHY.
15

JEAN-FRANÇOIS MILLET | FARMHOUSE AT GRUCHY

Estimate:

50,000

to
- 70,000 USD

Property from a Private Northeastern Collection

JEAN-FRANÇOIS MILLET | FARMHOUSE AT GRUCHY

JEAN-FRANÇOIS MILLET | FARMHOUSE AT GRUCHY

Estimate:

50,000

to
- 70,000 USD

Lot sold:

56,250

USD

Property from a Private Northeastern Collection

JEAN-FRANÇOIS MILLET

French

1814 - 1875

FARMHOUSE AT GRUCHY


signed J F Millet (lower right)

pastel, crayon noir, stumping and pen and ink on paper

sheet: 14 ⅝ by 18 in.; 37.2 by 45.7 cm

framed: 26 1⁄8 by 27 1⁄8 in.; 66.5 by 69 cm.


We would like to thank Alexandra Murphy for kindly confirming the authenticity of this lot and providing this catalogue entry.

Pastel, crayon noir, stumping and pen and ink on thick paper. The sheet is adhered to a pressed board along the left edge, though the other edges are not adhered. The sheet appears to be in generally good condition aside from some minor surface dirt from handling at the extreme edges, as well as tape and tape residue at the extreme edges. 


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.


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Goupil & Cie, Paris (about 1885)

Private Collection, Boston

Sale: Sotheby's, New York, May 7, 2015, lot 75, illustrated

Acquired at the above sale

Farm House at Gruchy is one of a group of works depicting Millet's native village in coastal Normandy that he drew in the early 1860s as he began to experiment in earnest with new balances of line and color for his finished drawings. Based on sketches of the various sites that he had recorded while visiting Gruchy several years earlier, Farm House at Gruchy and three related drawings were worked up at Millet's leisure back in Barbizon and signal his serious turn toward landscape drawing and the medium of pastel.


Millet had been making finished figure drawings throughout the 1850s, occasionally filling out his black crayon designs with faint touches of colored crayon or pastel. Perhaps as a diversion from an onerous paintings contract, or perhaps in response to concurrent experiments by his close friend and Barbizon colleague, the landscape painter Théodore Rousseau, Millet began working up landscape drawings around 1860-63. Employing a frequently changing balance of media that included pencil, black and colored crayons, pen and ink, watercolor, and ultimately pastels, Millet tried out a range of effects that would allow him to capture the half-light of early evening which he particularly loved, without sacrificing the definition and quirkiness of the drawn line.


Farm House at Gruchy depicts an unidentified home and out-buildings along the dusty roadway that defined the small hamlet of Gruchy in Millet's day. It may well be the next house beyond the Millet family's own holdings, with the road leading on to the neighboring enclave of Cousin. Other drawings in the group, belonging to the Museum of Fine Arts, Boston, depict Millet's own birthplace, the Millet family barn and well, and a nearby manor house. An unfinished painting of Farm House at Gruchy, mistakenly titled Maisons à Barbizon is unlocated.