Cesare Lapini
L'Amour Captif (Cupid held captive)
Lot Closed
December 9, 01:14 PM GMT
Estimate
15,000 - 20,000 GBP
Lot Details
Description
Cesare Lapini
Italian
1848 - 1893
After Charles Auguste Fraikin (1817-1893)
L'Amour Captif (Cupid held captive)
signed: C. Lapini
white marble
102cm., 40 1/4 in.
L'amour Captif was Fraikin's definitive masterpiece and propelled him into fame when he exhibited it at the Exposition Nationale des Beaux-Arts, Brussels in 1845, winning a gold medal. It was subsequently exhibited in London (1851) and Dublin (1853), and a copy was ordered for the Hermitage in St Petersburg. Another version of the marble was commissioned for the collection of the Musées royaux des Beaux-Arts in Brussels in 1849 (inv. no. 1052).
For its composition, Fraikin was inspired by Jean Joseph Foucou (1739-1815), whose Bacchante portant un petit faune is in the collection of the Musée Cognac-Jay in Paris (inv. no. J219, op. cit., p. 175). Comparison between the two marbles shows clearly how Fraikin was indebted to the earlier Neoclassicism of the late 18th century, but interpreted it with a graceful and romantic touch, creating the lissom and seemingly weightless figure of Venus. The Cupid figure owes much to the putti of the Flemish Rococo tradition, with its stout figure and sprawled pose.
Due to its popularity, Fraikin's L'Amour was copied in various sizes during the 19th and early 20th centuries, including by sculptors in Florence, like Cesare Lapini.
For its composition, Fraikin was inspired by Jean Joseph Foucou (1739-1815), whose Bacchante portant un petit faune is in the collection of the Musée Cognac-Jay in Paris (inv. no. J219, op. cit., p. 175). Comparison between the two marbles shows clearly how Fraikin was indebted to the earlier Neoclassicism of the late 18th century, but interpreted it with a graceful and romantic touch, creating the lissom and seemingly weightless figure of Venus. The Cupid figure owes much to the putti of the Flemish Rococo tradition, with its stout figure and sprawled pose.
Due to its popularity, Fraikin's L'Amour was copied in various sizes during the 19th and early 20th centuries, including by sculptors in Florence, like Cesare Lapini.