PIETER VAN DER WERFF | THE VIRGIN AND CHILD, WITH THE INFANT SAINT JOHN THE BAPTIST AND SAINT ANNE
PIETER VAN DER WERFF | THE VIRGIN AND CHILD, WITH THE INFANT SAINT JOHN THE BAPTIST AND SAINT ANNE
PIETER VAN DER WERFF | THE VIRGIN AND CHILD, WITH THE INFANT SAINT JOHN THE BAPTIST AND SAINT ANNE
PIETER VAN DER WERFF | THE VIRGIN AND CHILD, WITH THE INFANT SAINT JOHN THE BAPTIST AND SAINT ANNE
PIETER VAN DER WERFF | THE VIRGIN AND CHILD, WITH THE INFANT SAINT JOHN THE BAPTIST AND SAINT ANNE
PIETER VAN DER WERFF | THE VIRGIN AND CHILD, WITH THE INFANT SAINT JOHN THE BAPTIST AND SAINT ANNE
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PIETER VAN DER WERFF | THE VIRGIN AND CHILD, WITH THE INFANT SAINT JOHN THE BAPTIST AND SAINT ANNE

Estimate: 3,000 - 5,000 GBP

PIETER VAN DER WERFF | THE VIRGIN AND CHILD, WITH THE INFANT SAINT JOHN THE BAPTIST AND SAINT ANNE

Estimate: 3,000 - 5,000 GBP

Lot Sold:4,750GBP
(8 bids, reserve met)

Lot Details

Description

Property from the SØR Rusche Collection

PIETER VAN DER WERFF

Kralingen-Ambacht 1665 - 1722 Rotterdam


THE VIRGIN AND CHILD, WITH THE INFANT SAINT JOHN THE BAPTIST AND SAINT ANNE

oil on canvas

unframed: 118.6 x 89.5 cm.; 46¾ x 35¼ in.

framed: 134 x 103 cm.; 52¾ x 40½ in.


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Condition Report

The canvas is lined. The paint surface is dirty and the varnish slightly discoloured. There is a degree of wear visible throughout but no major visible damage. Inspection under ultra violet light reveals the uneven application of the varnish but apparently very few retouchings save for a small restored damage in the upper left corner. In overall good condition.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot

Cataloguing

Provenance

Private collection, Westphalia, whence acquired in 1954.

Exhibited

The SØR Rusche Collection has been exhibited extensively over the last two decades. Please click here for further information.

Literature

H.-J. Raupp (ed.), Niederländische Malerei des. 17. Jahrhunderts der SØR Rusche-Sammlung, vol. 4, Historien und Allegorien, Münster/Hamburg/London 2010, p. 464–69, cat. no. 80, reproduced in colour.

Catalogue Note

Pieter van der Werff was the younger brother and pupil of Adriaen van der Werff, one of the greatest practitioners of historical, religious and mythological painting of the time, who enjoyed a stellar career. For a number of years, Pieter simply made copies of works by his brother; later, he started producing original works in his manner, including history paintings, portraits and genre scenes, such as the present painting, although they were usually on a small scale. Pieter was senior member of the Rotterdam painters' guild in 1703 and 1715. 

The SØR Rusche Collection Online
Online bidding closed10 May 2019 | 03:42 PM GMT