NICOLAES ELIASZ. PICKENOY | PORTRAIT OF A GENTLEMAN, THREE-QUARTER-LENGTH, IN BLACK SILK WITH A WHITE RUFF
NICOLAES ELIASZ. PICKENOY | PORTRAIT OF A GENTLEMAN, THREE-QUARTER-LENGTH, IN BLACK SILK WITH A WHITE RUFF
NICOLAES ELIASZ. PICKENOY | PORTRAIT OF A GENTLEMAN, THREE-QUARTER-LENGTH, IN BLACK SILK WITH A WHITE RUFF
NICOLAES ELIASZ. PICKENOY | PORTRAIT OF A GENTLEMAN, THREE-QUARTER-LENGTH, IN BLACK SILK WITH A WHITE RUFF
NICOLAES ELIASZ. PICKENOY | PORTRAIT OF A GENTLEMAN, THREE-QUARTER-LENGTH, IN BLACK SILK WITH A WHITE RUFF
NICOLAES ELIASZ. PICKENOY | PORTRAIT OF A GENTLEMAN, THREE-QUARTER-LENGTH, IN BLACK SILK WITH A WHITE RUFF
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NICOLAES ELIASZ. PICKENOY | PORTRAIT OF A GENTLEMAN, THREE-QUARTER-LENGTH, IN BLACK SILK WITH A WHITE RUFF

Estimate: 15,000 - 20,000 GBP

NICOLAES ELIASZ. PICKENOY | PORTRAIT OF A GENTLEMAN, THREE-QUARTER-LENGTH, IN BLACK SILK WITH A WHITE RUFF

Estimate: 15,000 - 20,000 GBP

Lot Sold:32,500GBP
(13 bids, reserve met)

Lot Details

Description

Property from the SØR Rusche Collection

NICOLAES ELIASZ. PICKENOY

Amsterdam 1588 - 1650/6

PORTRAIT OF A GENTLEMAN, THREE-QUARTER-LENGTH, IN BLACK SILK WITH A WHITE RUFF


traces of signature upper right 

oil on oak panel, with an unidentified collector's red wax seal on the reverse

unframed: 114.5 x 85.5 cm.; 45⅛ x 33⅝ in.

framed: 134.5 x 105.5 cm.; 53 x 41½ in.


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Condition Report

The panel is formed of three vertical planks - it is uncradled, but some of the joints have some canvas adhered along its length at on the reverse. The paint surface is clean, with a clear and even varnish. There are visible discoloured retoucings that run along aforementioned panel join - a third of the way in from the left margin. Other discoloured retouchings are visible in the background - most notably in along the upper margin and in the upper right corner where the signature is. Inspection under ultra violet light confirms all the aforementioned retouching and does not appear to reveal any additional intervention.

In overall good condition.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Cataloguing

Provenance

Private collection, Belgium;

Acquired for the SØR Rusche collection by 1985.

Exhibited

Rotterdam, Kunsthal, At Home in the Golden Age, 9 February – 18 May 2008, no. 154.


The SØR Rusche Collection has been exhibited extensively over the last two decades. Please click here for further information.

Literature

H.-J. Raupp (ed.), Niederländische Malerei des. 17. Jahrhunderts der SØR Rusche-Sammlung, vol. I, Portraits, Münster/Hamburg/London 1995, p. 44, cat. no. 13, reproduced in colour;

W. Pijbes, M. Aarts, M. J. Bok et al., At Home in the Golden Age, exh. cat., Zwolle 2008, p. 139, cat. no. 154, reproduced in colour.

The SØR Rusche Collection Online
Online bidding closed10 May 2019 | 03:42 PM GMT