JAN LOOTEN | A MOUNTAINOUS LANDSCAPE WITH TRAVELLERS ON A PATH NEAR A WATERFALL AND A DRAUGHTSMAN ON A ROCK, A TOWN BEYOND
JAN LOOTEN | A MOUNTAINOUS LANDSCAPE WITH TRAVELLERS ON A PATH NEAR A WATERFALL AND A DRAUGHTSMAN ON A ROCK, A TOWN BEYOND
JAN LOOTEN | A MOUNTAINOUS LANDSCAPE WITH TRAVELLERS ON A PATH NEAR A WATERFALL AND A DRAUGHTSMAN ON A ROCK, A TOWN BEYOND
JAN LOOTEN | A MOUNTAINOUS LANDSCAPE WITH TRAVELLERS ON A PATH NEAR A WATERFALL AND A DRAUGHTSMAN ON A ROCK, A TOWN BEYOND
JAN LOOTEN | A MOUNTAINOUS LANDSCAPE WITH TRAVELLERS ON A PATH NEAR A WATERFALL AND A DRAUGHTSMAN ON A ROCK, A TOWN BEYOND
JAN LOOTEN | A MOUNTAINOUS LANDSCAPE WITH TRAVELLERS ON A PATH NEAR A WATERFALL AND A DRAUGHTSMAN ON A ROCK, A TOWN BEYOND
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JAN LOOTEN | A MOUNTAINOUS LANDSCAPE WITH TRAVELLERS ON A PATH NEAR A WATERFALL AND A DRAUGHTSMAN ON A ROCK, A TOWN BEYOND

Estimate: 5,000 - 7,000 GBP

JAN LOOTEN | A MOUNTAINOUS LANDSCAPE WITH TRAVELLERS ON A PATH NEAR A WATERFALL AND A DRAUGHTSMAN ON A ROCK, A TOWN BEYOND

Estimate: 5,000 - 7,000 GBP

Lot Sold:5,000GBP
(2 bids, reserve met)

Lot Details

Description

Property from the SØR Rusche Collection

JAN LOOTEN

Amsterdam 1618 - circa 1681 London

A MOUNTAINOUS LANDSCAPE WITH TRAVELLERS ON A PATH NEAR A WATERFALL AND A DRAUGHTSMAN ON A ROCK, A TOWN BEYOND


inscribed lower right: W.F. 88.

oil on canvas

unframed: 51.7 x 67.2 cm.; 20⅜ x 26½ in.

framed: 66 x 81 cm.; 26 x 32 in.


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Condition Report

The canvas has a firm relining. The paint surface is clean with a clear and even varnish. There is some evidence of wear in some of the darker tones. Inspection under ultraviolet light reveals retouching along all four margins (particularly to the upper left) and some others scattered throughout, most notable to the aforementioned areas of wear to the centre right and lower left. In overall fair condition.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Cataloguing

Provenance

Anonymous sale, Vienna, Dorotheum, 19 October 1943, lot 103 (as Evert Marseus);

Acquired at the above sale by Norddeutsche Kreditbank AG., Bremen and on deposit at the Bremen Kunsthalle;

Recovered by the Monuments, Fine Arts and Archives section of the Allied Forces at the end of WWII;

Given to the custody of the Austrian Government on 27 February 1948 (according to a label on the reverse);

Held in trust by the Austrian State until transferred to the Federation of Austrian Jewish Communities and sold for the benefit of the victims of the Holocaust;

Mauerbach benefit sale, Vienna, Christie's, 29–30 October 1996, lot 49;

Private collection, USA;

Anonymous sale ('Property of an American Private Collector'), New York, Sotheby's, 28 May 1999, lot 153 (as Jacob de Villeers), when acquired.

Exhibited

The SØR Rusche Collection has been exhibited extensively over the last two decades. Please click here for further information.

Literature

H.-J. Raupp (ed.), Niederländische Malerei des. 17. Jahrhunderts der SØR Rusche-Sammlung, vol. 3, Landschaften und Seestücke, Münster/Hamburg/London 2001, pp. 134–37, cat. no. 30, reproduced in colour (as Looten).

Catalogue Note

Although this painting has previously been attributed to Jacob de Villeers, it was Marijke de Kinkelder of the R.K.D., The Hague, who rightly identified it as a work by Jan Looten.

The SØR Rusche Collection Online
Online bidding closed10 May 2019 | 03:42 PM GMT