The SØR Rusche Collection Online

The SØR Rusche Collection Online

View full screen - View 1 of Lot 265. JAN ANTHONISZ. VAN RAVESTEYN | PORTRAIT OF A SEATED MINISTER, AGED 76, THREE-QUARTER-LENGTH .

JAN ANTHONISZ. VAN RAVESTEYN | PORTRAIT OF A SEATED MINISTER, AGED 76, THREE-QUARTER-LENGTH

Lot Closed

May 10, 03:08 PM GMT

Estimate

12,000 - 18,000 GBP

Lot Details

Description

Property from the SØR Rusche Collection

JAN ANTHONISZ. VAN RAVESTEYN

The Hague circa 1572 - 1657

PORTRAIT OF A SEATED MINISTER, AGED 76, THREE-QUARTER-LENGTH 


signed centre right, on the arm of the chair: JR 1635

and inscribed upper right: Ӕtatis . suae . 76 .

oil on canvas

unframed: 142.3 x 118.3 cm.; 56 x 46½ in

framed: 165.5 x 142 cm.; 65⅛ x 55⅞ in.


Please see shipping calculator link: click here.

Anonymous sale, Paris, Tajan, 10 April 1992, lot 13, when acquired.

H.-J. Raupp (ed.), Niederländische Malerei des. 17. Jahrhunderts der SØR Rusche-Sammlung, vol. I, Portraits, Münster/Hamburg/London 1995, p. 118, cat. no. 45, reproduced p. 119;

W. Pijbes, M. Aarts, M. J. Bok et al., At Home in the Golden Age, exh. cat., Zwolle 2008, p. 97, cat. no. 92, reproduced in colour.

Liesborn, Museum Abtei Liesborn, on loan;

Rotterdam, Kunsthal, At Home in the Golden Age, 9 February – 18 May 2008, no. 92.


The SØR Rusche Collection has been exhibited extensively over the last two decades. Please click here for further information.

This sitter's identity is unknown but his standing as a minister is indicated by the word Predicant (meaning 'minister', or 'preacher' in Dutch) visible on the letter that he holds.


Jan van Ravesteyn was born and worked in The Hague. The Hague was the seat of the Stadholder's (the chief magistrate of the United Provinces of the Netherlands) court, and Ravesteyn painted a series of portraits of high-ranking military officers in his service. He also painted group portraits of militia companies in The Hague, and in 1612 painted the portrait of Prince Frederick Henry of Orange Nassau (1584–1647). It is thought probable that Ravesteyn was a pupil of Michiel van Mierevelt, by whom his portraits were much influenced.