The SØR Rusche Collection Online

The SØR Rusche Collection Online

View full screen - View 1 of Lot 245. JACOB SIBRANDI MANCADAN | SHEPHERDS WITH LIVESTOCK BY CLASSICAL RUINS IN AN EXTENSIVE LANDSCAPE, WITH A YOUTH PLAYING A PIPE IN THE FOREGROUND.

JACOB SIBRANDI MANCADAN | SHEPHERDS WITH LIVESTOCK BY CLASSICAL RUINS IN AN EXTENSIVE LANDSCAPE, WITH A YOUTH PLAYING A PIPE IN THE FOREGROUND

Lot Closed

May 10, 02:45 PM GMT

Estimate

15,000 - 20,000 GBP

Lot Details

Description

Property from the SØR Rusche Collection

JACOB SIBRANDI MANCADAN

Minnertsga 1602 - 1680 Tjerkgaast

SHEPHERDS WITH LIVESTOCK BY CLASSICAL RUINS IN AN EXTENSIVE LANDSCAPE, WITH A YOUTH PLAYING A PIPE IN THE FOREGROUND


signed lower centre: JMancadan (JM in ligature)

oil on oak panel

unframed: 56 x 99.9 cm.; 22 x 39¼ in.

framed: 74 x 117 cm.; 29¼ x 46 in.


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With Jacques Goudstikker (1897–1940), Amsterdam, from 1914–19;

With D.A. Hoogendijk, Amsterdam, 1920;

Harold Petri, Antwerp;

His sale, Amsterdam, Frederik Muller, 30 November – 3 December 1926, lot 83;

With Jacques Goudstikker, Amsterdam, 1926;

Looted by the Nazi authorities, 7 July 1940;

Recovered by the Allies, 1945;

In the custody of the Dutch Government, inv. no. NK2602;

Restituted in February 2006 to the heir of Jacques Goudstikker;

Their sale ('Important Old Master Paintings Including Property From the Collection of Jacques Goudstikker'), New York, Christie's, 19 April 2007, lot 34, for $96,000, when acquired.

120e Verslag van het Fries Genootschap voor Geschied-, Oudheid - en Taalkunde te Leeuwarden over het jaar 1948, Dokkum 1949, p. 14;

H.J. Ronday, Italië in de toets der Gouden Eeuw, exh. cat., Bolsward 1964 , cat. no. 33;

Centraal Museum, Nederlandse 17e eeuwse Italianiserende landschapschilders, Utrecht 1965, cat. no. 42, reproduced fig. 47;

L.J. Bol, Holländische Maler des 17. Jahrhunderts nahe den grossen Meistern, Brunswick 1969, p. 195;

L. Salerno, Pittori di paesaggio del Seicento a Roma, Rome 1977–80, vol. 1, p. 290, cat. no. 52.3;

C. Boschma and F. Grijzenhout, Meesterlijk vee: Nederlandse veeschilders 1600–1900, exh. cat., Zwolle and Waanders 1988, cat. no. 14;

F.J. Duparc and L.L. Graif, Italian recollections: Dutch painters of the Golden Age, exh. cat., Montreal 1990, p. 43, reproduced fig. 23;

Old Master paintings: An illustrated summary catalogue, Rijksdienst Beelende Kunst (The Netherlandish Office for the Fine Arts), The Hague 1992, p. 187, cat. no. 1578, reproduced;

W. Pijbes, M. Aarts, M. J. Bok et al., At Home in the Golden Age, exh. cat., Zwolle 2008, p. 126, cat. no. 139, reproduced in colour.

Rotterdam, Rotterdamsche Kunstkring, Collection Goudstikker d'Amsterdam, 11 – 26 June 1927, no. 43;

Bolsward, Stadhuis Bolsward, Italië in de toets der Gouden Eeuw, June – August 1964, no. 33;

Utrecht, Centraal Museum, Nederlandse 17e eeuwse Italianiserende landschapschilders, 10 March – 30 May 1965, no. 42;

Dordrecht, Dordrechts Museum, Meesterlijk vee. Nederlandse veeschilders 1600–1900, 25 September – 20 November 1988, no. 14;

Leeuwarden, Fries Museum, on loan, 1948 – 2 February 2006;

Rotterdam, Kunsthal, At Home in the Golden Age, 9 February – 18 May 2008, no. 139.


The SØR Rusche Collection has been exhibited extensively over the last two decades. Please click here for further information.

Typical of Mancadan's landcapes, the composition is separated into two distinct parts: the foreground with a herd of cattle and goats resting before ruins, flanked in sharp contrast by an extensive, distant view of a valley and mountain beyond. The subdued, limited palette, the unusual posture of the figures and the detailed brushwork are characteristic of the artist's highly individual style.


A government official who served as the burgomaster of Franeker and Leeuwarden, Mancadan is not thought to have started painting until he settled in Leeuwarden in 1645, a move presumably inspired by the Frisian scenery around his farm at Siegerswoude.