View 1 of Lot 232. FRANS DE MOMPER | WIDE RIVER LANDSCAPE WITH A CHURCH, A WINDMILL AND A MONASTERY, WITH FIGURES RESTING ON A BANK AND FISHING.
View 1 of Lot 232. FRANS DE MOMPER | WIDE RIVER LANDSCAPE WITH A CHURCH, A WINDMILL AND A MONASTERY, WITH FIGURES RESTING ON A BANK AND FISHING.
232

FRANS DE MOMPER | WIDE RIVER LANDSCAPE WITH A CHURCH, A WINDMILL AND A MONASTERY, WITH FIGURES RESTING ON A BANK AND FISHING

Estimate:

8,000 - 12,000 GBP

FRANS DE MOMPER | WIDE RIVER LANDSCAPE WITH A CHURCH, A WINDMILL AND A MONASTERY, WITH FIGURES RESTING ON A BANK AND FISHING

FRANS DE MOMPER | WIDE RIVER LANDSCAPE WITH A CHURCH, A WINDMILL AND A MONASTERY, WITH FIGURES RESTING ON A BANK AND FISHING

Estimate:

8,000 - 12,000 GBP

Property from the SØR Rusche Collection

FRANS DE MOMPER

Antwerp 1603 - 1660

WIDE RIVER LANDSCAPE WITH A CHURCH, A WINDMILL AND A MONASTERY, WITH FIGURES RESTING ON A BANK AND FISHING


indistinctly signed lower centre: Fdm.

oil on oak panel

unframed: 45.8 x 91.4 cm.; 18 x 36 in.

framed: 66.5 x 112.5 cm.; 26¼ x 44¼ in.


Please see shipping calculator link: click here.

Schieder-Schwalenberg, Robert-Koepe-Haus, Inventar der Landschaft. Niederländische Landschaftsschilderungen vom 16. bis 18. Jahrhundert, August 2000, no. 5;

's-Hertogenbosch, Noordbrabants Museum, Panorama op de wereld: het landschap van Bosch tot Rubens, 17 March – 10 June 2001, no. 83;

Rotterdam, Kunsthal, At Home in the Golden Age, 9 February – 18 May 2008, no. 141.


The SØR Rusche Collection has been exhibited extensively over the last two decades. Please click here for further information.

Frans de Momper, nephew of Joos de Momper, became a master in the Antwerp Guild of St. Luke in 1629. In 1646 he moved to The Hague and was recorded two years later in Haarlem. Here he came into contact with the work of Jan van Goyen and his circle, which was to influence him throughout the rest of his career.