CORNELIS VAN DER VOORT | PORTRAIT OF A YOUNG WOMAN, THREE-QUARTER-LENGTH, IN A BLACK DAMASK DRESS WITH A RUFF AND WHITE LACE HEAD-PIECE
CORNELIS VAN DER VOORT | PORTRAIT OF A YOUNG WOMAN, THREE-QUARTER-LENGTH, IN A BLACK DAMASK DRESS WITH A RUFF AND WHITE LACE HEAD-PIECE
CORNELIS VAN DER VOORT | PORTRAIT OF A YOUNG WOMAN, THREE-QUARTER-LENGTH, IN A BLACK DAMASK DRESS WITH A RUFF AND WHITE LACE HEAD-PIECE
CORNELIS VAN DER VOORT | PORTRAIT OF A YOUNG WOMAN, THREE-QUARTER-LENGTH, IN A BLACK DAMASK DRESS WITH A RUFF AND WHITE LACE HEAD-PIECE
CORNELIS VAN DER VOORT | PORTRAIT OF A YOUNG WOMAN, THREE-QUARTER-LENGTH, IN A BLACK DAMASK DRESS WITH A RUFF AND WHITE LACE HEAD-PIECE
CORNELIS VAN DER VOORT | PORTRAIT OF A YOUNG WOMAN, THREE-QUARTER-LENGTH, IN A BLACK DAMASK DRESS WITH A RUFF AND WHITE LACE HEAD-PIECE
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CORNELIS VAN DER VOORT | PORTRAIT OF A YOUNG WOMAN, THREE-QUARTER-LENGTH, IN A BLACK DAMASK DRESS WITH A RUFF AND WHITE LACE HEAD-PIECE

Estimate: 15,000 - 20,000 GBP

CORNELIS VAN DER VOORT | PORTRAIT OF A YOUNG WOMAN, THREE-QUARTER-LENGTH, IN A BLACK DAMASK DRESS WITH A RUFF AND WHITE LACE HEAD-PIECE

Estimate: 15,000 - 20,000 GBP

Lot Sold:56,250GBP
(22 bids, reserve met)

Lot Details

Description

Property from the SØR Rusche Collection

CORNELIS VAN DER VOORT

Antwerp 1576 - 1624 Amsterdam

PORTRAIT OF A YOUNG WOMAN, THREE-QUARTER-LENGTH, IN A BLACK DAMASK DRESS WITH A RUFF AND WHITE LACE HEAD-PIECE


oil on oak panel

unframed: 106.5 x 75.5 cm.; 42 x 29¾ in.

framed: 126 x 95.2 cm.; 49⅝ x 37½ in.


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Condition Report

The panel is cradled - it is formed of three vertical planks. The paint surface is clean and the varnish is clear and even. There are no major damages visible to the naked eye. Inspection under ultra violet light reveals retouching along the left most panel join; scattered throughout the background (most notably in the upper right and lower right corners), and a series of sensitively executed spot retouchings in the sitters face and ruff - and a handful in the darks of her dress.

In overall very nice condition with no further work required.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Cataloguing

Provenance

Dr. Hans Wetzlar (1894 –1970), Amsterdam, 1952;

His posthumous sale, Amsterdam, Sotheby's Mak van Waay, 9 June 1977, lot 3;

Anonymous sale, Amsterdam, Sotheby's, 10 May 1994, lot 80.

Exhibited

Liesborn, Museum Abtei Liesborn, on loan;

Rotterdam, Kunsthal, At Home in the Golden Age, 9 February – 18 May 2008, no. 147.


The SØR Rusche Collection has been exhibited extensively over the last two decades. Please click here for further information.

Literature

M.J. Friedländer, Collection Dr. H. Wetzlar, Amsterdam 1952, p. 22, cat. no. 97, reproduced fig. 97;

H.-J. Raupp (ed.), Niederländische Malerei des. 17. Jahrhunderts der SØR Rusche-Sammlung, vol. I, Portraits, Münster/Hamburg/London 1995, p. 152, cat. no. 58, reproduced p. 153;

W. Pijbes, M. Aarts, M. J. Bok et al., At Home in the Golden Age, exh. cat., Zwolle 2008, p. 132, cat. no. 147, reproduced in colour.

Catalogue Note

When catalouged by Max Friedländer in 1952 (see Literature), when this portrait was in the collection of Hans Wetzlar in Amsterdam, it was recorded as being signed by Cornelis van der Voort at the upper left.


By contrast with many other genres of painting produced for the booming open art market in The Netherlands in the 17th century, portraits were almost exclusively commissioned. Although we do not know the identity of the sitter in this work, it is clear from the rich, expensive black fabric of her dress, the fine lace of her head-piece, ruff and cuffs - not to mention her jewellery - that she enjoys some level of wealth and status. The ring on her left hand is displayed prominently, suggesting that she is soon to be, or is recently, married.

The SØR Rusche Collection Online
Online bidding closed10 May 2019 | 03:42 PM GMT