ATTRIBUTED TO DANIEL DE KONINCK | PORTRAIT OF A YOUNG MAN, BUST-LENGTH, WEARING A RED SCARF
ATTRIBUTED TO DANIEL DE KONINCK | PORTRAIT OF A YOUNG MAN, BUST-LENGTH, WEARING A RED SCARF
ATTRIBUTED TO DANIEL DE KONINCK | PORTRAIT OF A YOUNG MAN, BUST-LENGTH, WEARING A RED SCARF
ATTRIBUTED TO DANIEL DE KONINCK | PORTRAIT OF A YOUNG MAN, BUST-LENGTH, WEARING A RED SCARF
ATTRIBUTED TO DANIEL DE KONINCK | PORTRAIT OF A YOUNG MAN, BUST-LENGTH, WEARING A RED SCARF
ATTRIBUTED TO DANIEL DE KONINCK | PORTRAIT OF A YOUNG MAN, BUST-LENGTH, WEARING A RED SCARF
226

ATTRIBUTED TO DANIEL DE KONINCK | PORTRAIT OF A YOUNG MAN, BUST-LENGTH, WEARING A RED SCARF

Estimate: 10,000 - 15,000 GBP

ATTRIBUTED TO DANIEL DE KONINCK | PORTRAIT OF A YOUNG MAN, BUST-LENGTH, WEARING A RED SCARF

Estimate: 10,000 - 15,000 GBP

Lot Details

Description

Property from the SØR Rusche Collection

ATTRIBUTED TO DANIEL DE KONINCK

Amsterdam 1668 - after 1720 England

PORTRAIT OF A YOUNG MAN, BUST-LENGTH, WEARING A RED SCARF


oil on canvas

unframed: 65.9 x 50.2 cm.; 25⅞ x 19¾ in.

framed: 85 x 71.5 cm.; 33½ x 28⅛ in.


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Condition Report

The canvas is lined, the paint surface is relatively clean, with a clear varnish. The network of craquelure has become slightly more pronounced in the darker pigments. Inspection under ultraviolet light reveals a thick varnish underneath which some retouchings are visible: along the left, lower and right margins, and scattered in the background and his coat, with a more concentrated area to the right of his scarf approx. 4 x 2 cm. There are spot retouchings scattered in his face, with a more concentrated area to the left of his nose. In overall fairly good condition.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Cataloguing

Provenance

Private collection, Germany;

Anonymous sale, Amsterdam, Sotheby's, 13 September 1995, lot 325 (as Attributed to de Koninck), when acquired.

Exhibited

The SØR Rusche Collection has been exhibited extensively over the last two decades. Please click here for further information.

Literature

H.-J. Raupp (ed.), Niederländische Malerei des. 17. Jahrhunderts der SØR Rusche-Sammlung, vol. 5, Stilleben und Tierstücke, Münster/Hamburg/London 2004, pp. 294–97, cat. no. 68, reproduced in colour (as Attributed to de Koninck).



Catalogue Note

Daniel de Koninck was the nephew of both the renowned landscape painter Philips Koninck and Jacob Koninck, the latter of whom he apprenticed with from 1682 until 1690 when he moved to Oxford. 


When this painting was last on the market, Dr. Werner Sumowski endorsed a full attribution to the artist on the basis of photographs.

The SØR Rusche Collection Online
Online bidding closed10 May 2019 | 03:42 PM GMT