ADRIAEN DE GRYEF | A HUNTSMAN WITH HIS DOG AT THE WATER'S EDGE, SURROUNDED BY THEIR SPOILS
ADRIAEN DE GRYEF | A HUNTSMAN WITH HIS DOG AT THE WATER'S EDGE, SURROUNDED BY THEIR SPOILS
ADRIAEN DE GRYEF | A HUNTSMAN WITH HIS DOG AT THE WATER'S EDGE, SURROUNDED BY THEIR SPOILS
ADRIAEN DE GRYEF | A HUNTSMAN WITH HIS DOG AT THE WATER'S EDGE, SURROUNDED BY THEIR SPOILS
ADRIAEN DE GRYEF | A HUNTSMAN WITH HIS DOG AT THE WATER'S EDGE, SURROUNDED BY THEIR SPOILS
ADRIAEN DE GRYEF | A HUNTSMAN WITH HIS DOG AT THE WATER'S EDGE, SURROUNDED BY THEIR SPOILS
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ADRIAEN DE GRYEF | A HUNTSMAN WITH HIS DOG AT THE WATER'S EDGE, SURROUNDED BY THEIR SPOILS

Estimate: 6,000 - 8,000 GBP

ADRIAEN DE GRYEF | A HUNTSMAN WITH HIS DOG AT THE WATER'S EDGE, SURROUNDED BY THEIR SPOILS

Estimate: 6,000 - 8,000 GBP

Lot Details

Description

Property from the SØR Rusche Collection

ADRIAEN DE GRYEF

Antwerp 1670 - 1715 Brussels

A HUNTSMAN WITH HIS DOG AT THE WATER'S EDGE, SURROUNDED BY THEIR SPOILS


oil on oak panel

unframed: 41.5 x 56 cm; 16½ x 22 in.

framed: 50.5 x 70.5 cm.; 19⅞ x 27¾ in.


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Condition Report

The panel has supportive blocks adhered to its reverse, a result of movement along a horizontal panel join, running through the centre of the picture, and also as a result of a split in the panel, running approx. 7 in. from the right-hand margin. There are retouchings visible along both of these, but there are otherwise no major damages visible. The varnish appears clear and even. Inspection under ultraviolet light confirms the aforementioned restoration and reveals only a handful of other, more minor scattered retouchings, beneath a varnish that fluoresces opaque. There is some frame abrasion along the upper and lower margins. In fair overall condition.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Cataloguing

Provenance

Iselin collection, Basel, from whom acquired.

Exhibited

The SØR Rusche Collection has been exhibited extensively over the last two decades. Please click here for further information.

Literature

H.-J. Raupp (ed.), Niederländische Malerei des. 17. Jahrhunderts der SØR Rusche-Sammlung, vol. 5, Stilleben und Tierstücke, Münster/Hamburg/London 2004, pp. 126–29, cat. no. 24, reproduced in colour.

Catalogue Note

Adriaen de Gryef is believed to have been a pupil of Frans Snyders, and worked between Antwerp and Brussels. He generally painted spirited works in a small format, such as the present painting. 

The SØR Rusche Collection Online
Online bidding closed10 May 2019 | 03:42 PM GMT