YVES TANGUY | SANS TITRE
6,000 - 8,000 USD
YVES TANGUY (1900 - 1955)
Signed Yves Tanguy (center right)
Pen and ink on paper
12½ by 9½ in. (31.8 by 24.1 cm)
Framed: 21¼ by 18¼ in. (54 by 46.4 cm)
Executed circa 1937.
This work is in excellent condition. Executed on cream wove paper. All four corners of the sheet have been mounted with photo corners. The top edge of the sheet is deckled. The edges are very lightly time stained. There are very minor accretions of blue pigment along the left and right edges, possibly inherent to the artist's process. There is a single nick to the upper-left corner. There is minor, scattered staining throughout the sheet.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.
Tanguy was invited by André Breton to become a member of the Surrealist group in 1925. Though Tanguy received no formal artistic training, his childhood summers spent near Finistère on the western coast of France would have a profound influence on his style that was to emerge by the 1930s. It was during these stays at Finistère that Tanguy observed prehistoric rock formations and objects floating on the water or washed up on the shore, elements that, subjectively transformed, frequently appear in the dream-world Tanguy created as a mature artist and can be identified in the present work. Also important was his trip to North Africa in 1930, where he observed natural geological structures and stratifications, which Tanguy incorporated into works such as this one.