CADY NOLAND | UNTITLED
signed and dated 1991 on the reverse of the board
silkscreen ink on paper mounted on board, in artist's steel angle frame
framed: 88 by 118.2 cm. 34⅝ by 46½ in.
Executed in 1991, this work is unique.
Statement from the Artist:
In an atmosphere of rapidly trading artwork, it is not possible for Cady Noland to agree or dispute the various claims behind works attributed to her. Her silence about published assertions regarding the provenance of any work or the publication of a photograph of a work does not signify agreement about claims that are being made. Ms. Noland has not been asked for nor has she given the rights to any photographs of her works or verified their accuracy or authenticity.
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This work is in very good condition. There are artist's pinholes to the top two corner tips. Extremely close inspection reveals a minute rub mark towards the lower right corner of the composition.
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The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.
Paula Cooper Gallery, New York
Acquired from the above by the present owner
“The relationship between object and subject that Cady Noland has always been thinking about is really contemporary. It’s like a continuum, a relationship you can’t differentiate so easily anymore.”
Susanne Pfeffer cited: Victoria Camblin, ‘Final Week: The First Cady Noland Show in Two Decades’, 032c, May 2019, online