View full screen - View 1 of Lot 719. Jakob Bogdány | A STILL LIFE OF MELONS, APPLES, PEACHES, PLUMS, FIGS, GRAPES, AND VINES ON A STONE LEDGE WITH A JAY AND PARROT.
719

Jakob Bogdány | A STILL LIFE OF MELONS, APPLES, PEACHES, PLUMS, FIGS, GRAPES, AND VINES ON A STONE LEDGE WITH A JAY AND PARROT

Estimate:

150,000 to - 200,000 USD

Jakob Bogdány | A STILL LIFE OF MELONS, APPLES, PEACHES, PLUMS, FIGS, GRAPES, AND VINES ON A STONE LEDGE WITH A JAY AND PARROT

Jakob Bogdány | A STILL LIFE OF MELONS, APPLES, PEACHES, PLUMS, FIGS, GRAPES, AND VINES ON A STONE LEDGE WITH A JAY AND PARROT

Estimate:

150,000 to - 200,000 USD

Lot sold:

175,000

USD

Jakob Bogdány

CIRCA 1660 – 1724

HUNGARIAN

A STILL LIFE OF MELONS, APPLES, PEACHES, PLUMS, FIGS, GRAPES, AND VINES ON A STONE LEDGE WITH A JAY AND PARROT


signed J. Bogdany (lower right)

oil on canvas

29 by 30 1/4 in.

73.7 by 76.3 cm


We are grateful to Fred G. Meijer for confirming the attribution of the present lot after first hand inspection.

The following condition report has been provided by Simon Parkes of Simon Parkes Art Conservation, Inc. 502 East 74th St. New York, NY 212-734-3920, simonparkes@msn.com, an independent restorer who is not an employee of Sotheby's. 

This work is restored and should be hung in its current state. The condition of the paint layer is beautiful. The canvas has an old glue lining. No retouches are visible to the naked eye or under ultraviolet light except for a spot or two in the lower center beneath the leaves. There are a few small retouches above the bird in the dark background, but even this area seems to be mostly unretouched. The work should be hung as is. 


This condition report is provided to assist you with assessing the condition of the lot and is for guidance only. It is not a full description of condition. Images of the lot provided may not accurately reflect the actual condition of the lot. In particular, the images may represent colors and shades which are different than the lot’s actual color and shades. This condition report may not make reference to all imperfections, restorations, or alterations. Sotheby’s is not a professional conservator or restorer, and we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Born in Northern Hungary (modern day Slovakia), Bogdány moved to London in 1688 where his vivid still life and bird paintings were coveted by the aristocracy. Queen Mary and Queen Anne were among his clientele, and it was through Queen Anne that Bogdány met Admiral George Churchill (1654-1710), the younger brother of John, 1st Duke of Marlborough. Churchill had created an aviary full of unusual birds at Windsor, which perhaps inspired Bogdány's fascination with accurately depicting birds. Most of the paintings Churchill acquired were later given to Queen Anne and currently remain in the Royal Collection.


Unlike most of his paintings, which tend to be crowded with birds, this work achieves an elegant balance between colorful fruits and lively birds. It is likely that Bogdány made this still life during the summer, since his compositions were inspired by what he saw. Meanwhile, the inclusion of red-lored amazon (Amazona autumnalis) and Eurasian jay (Garrulus glandarius) could have been based on birds he saw at Churchill's aviary.