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70

MARTÍN RICO | The Church of San Geremia and The Palazzo Labia, Venice

Property from an Italian Private Collection

MARTÍN RICO | The Church of San Geremia and The Palazzo Labia, Venice

MARTÍN RICO | The Church of San Geremia and The Palazzo Labia, Venice

Property from an Italian Private Collection

MARTÍN RICO

Spanish

1833 - 1908

The Church of San Geremia and The Palazzo Labia, Venice


signed Rico lower left

oil on canvas

74 by 45cm., 29 by 17¾in.

framed: 99 by 69.5cm., 39 by 27¼in.


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Please note, Condition 11 of the Conditions of Business for Buyers (Online Only) is no applicable to this lot

Structural Condition

The canvas is lined and is securely attached to a keyed, four member, wooden stretcher. This is providing a stable structural support.


Paint Surface

The paint surface has an even varnish layer.

The paint surface displays scattered networks of raised craquelure which are particularly noticeable within the sky. These are stable. There are slightly raised stretcher bar lines, most notably corresponding to the upper horizontal stretcher member. These are also stable.

Inspection under ultraviolet light shows small intermittent retouchings on and close to the extreme edges of the composition and a few tiny spots within sky in the upper left quadrant.


Summary

The painting would therefore appear to be in good and stable condition.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot

Purchased in Spain by the present owner 

Rico made his name and fortune capturing Venice's elegant architecture and magical setting, his works celebrating the grand facades of the city's most majestic structures along the Grand Canal and its surrounding waterways. He first travelled to Italy in 1872 in the company of the painter Mariano Fortuny. His fascination with light soon led Rico to Venice where he quickly established himself as a hugely able painter of the city's finest views, in what was a very competitive genre undertaken by other nineteenth-century artists including Rubens Santoro.