STONE: Marble and Hardstones

STONE: Marble and Hardstones

View full screen - View 1 of Lot 5. AN ITALIAN PIETRE DURE AND TENERE PANEL, FLORENCE, BY MARIO MONTELATICI 1938.

PROPERTY FROM THE ROSALINDE AND ARTHUR GILBERT COLLECTION

AN ITALIAN PIETRE DURE AND TENERE PANEL, FLORENCE, BY MARIO MONTELATICI 1938

Auction Closed

December 4, 11:48 AM GMT

Estimate

10,000 - 15,000 GBP

Lot Details

Description

Property From The Rosalinde And Arthur Gilbert Collection

AN ITALIAN PIETRE DURE AND TENERE PANEL, FLORENCE, BY MARIO MONTELATICI 1938


the back inscribed ARTE DEL MOSAICO / VIA SAN GIUSEPPE 36-38 / FIRENZE / ITALIA

with frame: 50.5cm. high, 60.5cm. wide.

without frame: 35.9cm. high, 47cm. wide; 14⅛in., 18½in.

Arte del Mosaico, Florence, 1972.

A. M. Massinelli, with contributions by Jeanette Hanisee Gabriel, Hardstones: The Gilbert Collection, London, 2000, cat. no. 76, p. 176.

A. M. Massinelli, Painting in Stone: Modern Florentine Pietra Dura Mosaic, Florence, 2014, p.154, fig. 120.

GIFT, July 1979.

This exceptional panel reflects the talent and extraordinary technical skills that the Florentine craftsman Mario Montelatici (1894-1974) showcased throughout his career. 


Mario’s father, Giovanni Montelatici (d.1930), was renowned for his remarkable skill in rendering life-like religious, domestic and rural scenes in pietra dura. He established a workshop in Florence with fellow Italian artist Calileo Chini. The business flourished during the early decades of the 20th century, when Montelatici was joined by his two sons Alfonso (1880–1948) and Mario, who both supplied spectacularly realistic and painterly pictures. While Mario’s most popular image is undoubtedly the ‘Return from the market’ (V&A Loan, Gilbert: 75-2008), his pictures looking at the theme of childhood equally showcase his talent.


The current example is inspired by a painting by Edmund Adler (1876-1965) titled ‘His First Knitting Lesson’ (illustrated in Hooke and Poltimore, Popular 19th Century Painting: Dictionary of European Genre Painters, 1986, p.176). Just like Adler, Montelatici was admired for his naturalism and fresh approach to colour in his pictures.