An icon of the Transfiguration on Mount Tabor, in a gilt-metal and cloisonné enamel frame, attributed to Vasily Petrovich Vereschagin, Moscow, late 19th century
An icon of the Transfiguration on Mount Tabor, in a gilt-metal and cloisonné enamel frame, attributed to Vasily Petrovich Vereschagin, Moscow, late 19th century
An icon of the Transfiguration on Mount Tabor, in a gilt-metal and cloisonné enamel frame, attributed to Vasily Petrovich Vereschagin, Moscow, late 19th century
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An icon of the Transfiguration on Mount Tabor, in a gilt-metal and cloisonné enamel frame, attributed to Vasily Petrovich Vereschagin, Moscow, late 19th century

Estimate: 40,000 - 60,000 GBP

An icon of the Transfiguration on Mount Tabor, in a gilt-metal and cloisonné enamel frame, attributed to Vasily Petrovich Vereschagin, Moscow, late 19th century

Estimate: 40,000 - 60,000 GBP

Lot Details

Description

An icon of the Transfiguration on Mount Tabor, in a gilt-metal and cloisonné

enamel frame, attributed to Vasily Petrovich Vereschagin, Moscow, late 19th

century


the Saviour standing transfigured on Mount Tabor, his garments of shining white, flanked by the Old Testament

prophets Elijah and Moses having been granted the vision of theophany, below on the mountain slope the apostles

Peter, James and John kneeling in front of the divine light, held in a gilt-metal and enamel frame decorated with foliate

forms in Old Russian style and applied with colourful enamel roundels, the border of the painting decorated with

enamel motifs and pilasters

71.2 by 41cm, 27⅝ by 16⅛in.


Condition Report

Overall in good condition. Some retouching especially to the figure on the left, St Peter. His halo and upper part of his balding head have been restored. Some retouching in the rocky landscape.


"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Cataloguing

Provenance

Sotheby’s London, 8 June 2011, lot 674

Catalogue Note

This icon is stylistically close to the icon of St Pelagia and St John the Baptist, attributed to Vasily Petrovich Vereschagin (1835-1909), executed for The Cathedral of Christ the Saviour in Moscow, circa 1879-1931. Possibly the offered lot comes from the same Cathedral. Please see Sotheby's London, 1 December 2009, lot 709.

Russian Works of Art, Fabergé & Icons
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