ANDY WARHOL | LETTER TO THE WORLD (THE KICK) (F. & S. II.389)
 ANDY WARHOL | LETTER TO THE WORLD (THE KICK) (F. & S. II.389)
 ANDY WARHOL | LETTER TO THE WORLD (THE KICK) (F. & S. II.389)
181

ANDY WARHOL | LETTER TO THE WORLD (THE KICK) (F. & S. II.389)

Estimate: 15,000 - 20,000 GBP

ANDY WARHOL | LETTER TO THE WORLD (THE KICK) (F. & S. II.389)

Estimate: 15,000 - 20,000 GBP

Lot Sold:37,500GBP

Lot Details

Description

ANDY WARHOL

1928 - 1987

LETTER TO THE WORLD (THE KICK) (F. & S. II.389)


Screenprint in colours, 1986, from Martha Graham, signed in pencil verso, numbered 97/100 (total edition includes 25 artist's proofs), with the printer's blindstamp, Rupert Jasen Smith, with the artist's copyright inkstamp and the publisher's inkstamp verso, Martha Graham Center of Contemporary Dance, Inc., New York, on Lenox Museum Board, framed

sheet: 916 by 914mm 36 by 36in

Condition Report

The full sheet, printed to the edges, in good condition, two linear scuff marks at upper and left sheet edges, a few further scuff marks in the black ink (only visible in a raking light), slight pressure marks at corners associated with hinging, the verso with slight staining and a few small areas of skinning along sheet edges associated with previous hinging, framed.

 

(The last couple letters of the signature bled, the numbering likely re-traced).


In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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