TRACEY EMIN | I'VE GOT IT ALL, 2000

White Cube, London

Christie's, New York, Post-War and Contemporary Art, March 10, 2011, lot 228

M. Maloney (ed.), I Am Camera (London, 2001), another example ill. in color, p. 234

C. Townsend and M. Merck, The art of Tracey Emin, London 2002, p. 43

C. Freedman and T. Emin, Tracey Emin Works 1963-2006 (New York, 2006), p. 235

100 the Work that Changes British Art (Saatchi Gallery, London, 2003), ill. p. 105, 209

N. Brown, Tracey Emin (London, 2006), another example ill. p. 75

H. Luard and P. Miles (eds.), Tracey Emin (New York, 2006), p. 413, another example ill. in colour, p. 235

Tracey Emin: 20 Years, exhibition cat. (Scottish National Gallery of Modern Art, Edinburgh, 2008-2009), p. 148

E. Booth-Clibborn, The History of the Saatchi Gallery (London, 2011), ill. p. 284

"I've Got it All" is an iconic work of Tracey Emin, realized one year after the controversy following the presentation of her work "My Bed" for the Turner Prize in 1999.

The work presented here is an enlarged Polaroid which assembles many of the most significant themes in her artistic practice: sexuality, intimacy exposure and honesty, which is in the center of the theme "Man and his excesses" that runs through the collection of Estelle and Hervé Francès.