FRANCESCO ADRIANO DE BONIS | ROME (19 WORKS)
FRANCESCO ADRIANO DE BONIS | ROME (19 WORKS)
FRANCESCO ADRIANO DE BONIS | ROME (19 WORKS)
FRANCESCO ADRIANO DE BONIS | ROME (19 WORKS)
FRANCESCO ADRIANO DE BONIS | ROME (19 WORKS)
FRANCESCO ADRIANO DE BONIS | ROME (19 WORKS)
FRANCESCO ADRIANO DE BONIS | ROME (19 WORKS)
FRANCESCO ADRIANO DE BONIS | ROME (19 WORKS)
FRANCESCO ADRIANO DE BONIS | ROME (19 WORKS)
FRANCESCO ADRIANO DE BONIS | ROME (19 WORKS)
FRANCESCO ADRIANO DE BONIS | ROME (19 WORKS)
FRANCESCO ADRIANO DE BONIS | ROME (19 WORKS)
FRANCESCO ADRIANO DE BONIS | ROME (19 WORKS)
FRANCESCO ADRIANO DE BONIS | ROME (19 WORKS)
FRANCESCO ADRIANO DE BONIS | ROME (19 WORKS)
FRANCESCO ADRIANO DE BONIS | ROME (19 WORKS)
FRANCESCO ADRIANO DE BONIS | ROME (19 WORKS)
FRANCESCO ADRIANO DE BONIS | ROME (19 WORKS)
FRANCESCO ADRIANO DE BONIS | ROME (19 WORKS)
1

FRANCESCO ADRIANO DE BONIS | ROME (19 WORKS)

Estimate: 6,000 - 8,000 EUR

12

FRANCESCO ADRIANO DE BONIS | ROME (19 WORKS)

Estimate: 6,000 - 8,000 EUR

Lot Sold:23,750EUR

Lot Details

Description

FRANCESCO ADRIANO DE BONIS

actif 1850 - 1870

ROME (19 WORKS)


19 tirages albuminés individuellement montés sur papier d'époque


a group of 19 albumen prints, each mounted individually on vintage paper


chaque image / each image: approximativement: 9 ⅝ x 7 ½ in.; 24,5 x 19 cm; ou l'inverse

chaque feuille / each mount: approximativement 13 x 10 ¼ in.; 33 x 26 cm

Condition Report

These albumen prints are in generally fair to very good condition. (NY), these prints rate from a 7 to a strong 10.

Deposits of undeterminate nature, probably foxing, are visible on most of the prints. They are mainly contained in the upper half of the i,age and on the mounts.*Some corners are bumped where attached to the mount. A few of them have paper losses at the edges.

For a more detailed condition report, please contact the photographs department.


"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Cataloguing

Literature

Françoise Heilbrun, Bernard Marbot, L'Invention d'un Regard (1839 - 1918), cat. expo. (Paris, Musée d'Orsay, 1989), various ill.

Ken et Jenny Jacobson, Etude d'après nature. 19th Century Photographs in Relation to Art (Petches Bridge, 1996), ill. p. 172

Bruce Lundberg, John A. Pinto (ed.), Steps on the Beaten Path. Nineteen Century Photographs of Rome and its environs (Milan - New York, 2007), with ill. 

Photographies
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