OTTO MARSEUS VAN SCHRIECK | Still life with flowers in a glass vase, on a marble ledge, with butterflies and moths
OTTO MARSEUS VAN SCHRIECK | Still life with flowers in a glass vase, on a marble ledge, with butterflies and moths
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OTTO MARSEUS VAN SCHRIECK | Still life with flowers in a glass vase, on a marble ledge, with butterflies and moths

Estimate: 20,000 - 30,000 GBP

OTTO MARSEUS VAN SCHRIECK | Still life with flowers in a glass vase, on a marble ledge, with butterflies and moths

Estimate: 20,000 - 30,000 GBP

Lot Sold:93,750GBP

Lot Details

Description

Property from the SØR Rusche Collection

OTTO MARSEUS VAN SCHRIECK

Nijmegen 1619/20 (?) - 1678 Amsterdam

Still life with flowers in a glass vase, on a marble ledge, with butterflies and moths


signed lower right: Ottho/ Marseus. de S./ 1660

oil on canvas

60.7 x 49.7 cm.; 23⅞ x 19½ in.

Condition Report

The canvas has a very firm relining, the paint surface is clean and the varnish is clear and even. Inspection under ultraviolet light is impeded by the opaque varnish beneath which it is difficult to discern previous restoration, but the canvas appears to be largely untouched save for some spot strengthenings in the butterflies, upon which real specimens were most likely originally adhered, in the top of the vase, and possibly in the background - particularly around the silhouettes of the blooms and butterflies. In overall good condition. Offered in a carved and gilt wood frame with some losses.


"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Cataloguing

Provenance

Anonymous sale, Berlin, Leo Spik, 9 November 1950, lot 273;

With F. Enneking, Amsterdam, 1955;

Krudop, Enschede;

Anonymous sale, Laren, Christie’s, 24 March 1980, lot 436A, when acquired.

Exhibited

Rotterdam 2008, no. 81;

Schwerin, Staatliches Museum, 7 July – 15 October 2017; Enschede, Rijksmuseum Twenthe, 5 November 2017 – 11 March 2018, Medusa's Menagerie. Otto Marseus van Schrieck and the scholars, unnumbered.


The SØR Rusche Collection has been exhibited extensively over the last two decades. Please click here for further information.

Literature

L.J. Bol, "Geode Onbekenden" Hedendaagse herkenning en waardering van verscholen, vorbijggezein en onderschat talent, Utrecht 1982, p. 98, reproduced fig. 3;

E. Gemar-Költzch, Holländische Stillebenmaler im 17. Jahrhundert, vol. III, Lingen 1995, p. 924, cat. no. 362/2, reproduced;

S. Steensma, Otto Marseus van Schrieck, Leben und Werk, Hildesheim 1999, p. 103, cat. no. A1.5, reproduced p. 265, fig. 5;

Raupp 2004, pp. 170–73, cat. no. 35, reproduced in colour;

Rotterdam 2008, p. 90, cat. no. 81, reproduced in colour;

G. Seelig, Medusa's Menagerie. Otto Marseus van Schrieck and the Scholars, exh. cat., Munich 2017, p. 60, reproduced in colour p. 61, fig. 43.

Catalogue Note

The earliest known works by van Schrieck are still lifes of flowers such as the present painting. Despite it being a subject he would embrace until the last decade of his life, there are far fewer of them than his forest floor still lifes, and they rarely appear on the art market. The present painting was in all probability painted in Italy, and dates to the same year as the artist's forest floor still life with the same blue morning glories today in the Staatliches Museum, Schwerin (inv. no. G154).(1)


1 Seelig 2017, reproduced in colour p. 191, fig. 153.

Old Masters
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