LEANDRO DA PONTE, CALLED LEANDRO BASSANO | Annunciation to the Shepherds
LEANDRO DA PONTE, CALLED LEANDRO BASSANO | Annunciation to the Shepherds
8

LEANDRO DA PONTE, CALLED LEANDRO BASSANO | Annunciation to the Shepherds

Estimate: 10,000 - 15,000 GBP

LEANDRO DA PONTE, CALLED LEANDRO BASSANO | Annunciation to the Shepherds

Estimate: 10,000 - 15,000 GBP

Lot Details

Description

LEANDRO DA PONTE, CALLED LEANDRO BASSANO

Bassano del Grappa 1557 - 1622 Venice

Annunciation to the Shepherds


oil on canvas

78.8 x 60.9 cm.; 31 x 24 in.

Condition Report

The canvas is lined, the paint is surface is dirty and the varnish is discoloured. There is a very faint surface scratch running across the wrists of the girl at a barrel. Inspection under ultraviolet light reveals very few retouchings save for small touches in the angel's outstretched arm and robe, in the head of the cow and hat of the shepherd lower right, and at the top of the rim of the copper pot (lower left). In overall very good condition. Offered in a plain painted wood frame in good condition.


"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Cataloguing

Provenance

Private collection.

Catalogue Note

This composition was clearly one of Leandro Bassano's most popular, since he repeated it in several versions. The prototype is generally considered to be the signed painting in the Museo Civico, Padua.(1) We are grateful to Professor Alessandro Ballarin for endorsing the attribution to Leandro on the basis of a digital image.


1 See E. Arslan, I Bassano, Milan 1960, vol. I, pp. 240 and 266, reproduced vol. II, fig. 298.

Old Masters
Online bidding closed