GODFRIED SCHALCKEN | Portrait of a man, three-quarter length
GODFRIED SCHALCKEN | Portrait of a man, three-quarter length
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GODFRIED SCHALCKEN | Portrait of a man, three-quarter length

Estimate: 4,000 - 6,000 GBP

GODFRIED SCHALCKEN | Portrait of a man, three-quarter length

Estimate: 4,000 - 6,000 GBP

Lot Sold:5,000GBP

Lot Details

Description

Property from a Belgian Private Collection

GODFRIED SCHALCKEN

Made, near Breda 1643 - 1706 The Hague

Portrait of a man, three-quarter length


oil on canvas

42.6 x 34.1 cm.; 16¾ x 13⅜ in.

Condition Report

The canvas is lined, the paint surface is relatively dirty, and the varnish is clear. There are a few tiny spots of surface accretion visible in the sitter's forehead. There is evidence of old, minor flaking in the darker pigments, with some associated fine lines of retouching. Inspection under ultraviolet light reveals an uneven varnish, underneath which some retouchings are visible: a concentrated area in the sitter's hair to the right of his face, along the upper left margin, in the lower right corner, and scattered in the trees and background upper right. In overall good condition.


"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Cataloguing

Catalogue Note

We are grateful to Wayne Franits for endorsing the attribution to Schalcken on inspection of digital images, and dating the work to circa 1685–1700.

Old Masters
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