View full screen - View 1 of Lot 1038. PIER FRANCESCO CITTADINI | PORTRAIT OF A LADY, THREE-QUARTER LENGTH, IN AN ELABORATELY DECORATED SILK RED DRESS WITH WHITE LACE AND A SHEER FALLING COLLAR.
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PIER FRANCESCO CITTADINI | PORTRAIT OF A LADY, THREE-QUARTER LENGTH, IN AN ELABORATELY DECORATED SILK RED DRESS WITH WHITE LACE AND A SHEER FALLING COLLAR

Reserves

Estimate:

6,000

to
- 8,000 USD

PIER FRANCESCO CITTADINI | PORTRAIT OF A LADY, THREE-QUARTER LENGTH, IN AN ELABORATELY DECORATED SILK RED DRESS WITH WHITE LACE AND A SHEER FALLING COLLAR

PIER FRANCESCO CITTADINI | PORTRAIT OF A LADY, THREE-QUARTER LENGTH, IN AN ELABORATELY DECORATED SILK RED DRESS WITH WHITE LACE AND A SHEER FALLING COLLAR

Estimate:

6,000

to
- 8,000 USD

Lot sold:

20,000

USD

Property of a Private Collector sold without reserve

PIER FRANCESCO CITTADINI

Milan 1616 - 1681 Bologna

PORTRAIT OF A LADY, THREE-QUARTER LENGTH, IN AN ELABORATELY DECORATED SILK RED DRESS WITH WHITE LACE AND A SHEER FALLING COLLAR


oil on canvas

canvas: 30¾ by 24⅝ in.; 75.1 by 62.5 cm.

framed: 42¾ by 37 in.; 108.6 by 94 cm.

The canvas is lined. Underneath an uneven varnish, an elegant sitter with some loss of detail to the darker areas, though those. There is some discoloration on the shadows, like on the sitter's face and gown. Tiny dots of loss scattered along the edges with some strengthened like in the top left, center, and right quadrants. These fluoresce under UV on the background, as well as what could possibly be a spot of old repair at center right. Small lines of inpainting fluoresce on the sitter's face, with a spot of retouching on the center of her forehead. Further spots of retouches are scattered on the sitter's gown, chest, and hand. Offered in an elaborately carved giltwood frame with some minor wear and tear.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

The Milanese born Cittadini traveled to Bologna in the early 1630s, when he entered the studio of Guido Reni. His career would ultimately take him to Rome, where he would begin to develop as a multi-faceted professional painter, capable of producing high quality pictures in a variety of genres, including portraiture, still life, and landscapes. His portraits have a characteristically Lombard sense of realism, combined with an acute attention to detail in the elaborate lace and silk costumes of his female sitters. This specific approach to portraiture would have a direct impact on the younger artists to rise to prominence in his wake, perhaps most notably Jacob Ferdinand Voet.