OTTOMAR ELLIGER THE YOUNGER | Apelles before Alexander the Great and Campaspe
OTTOMAR ELLIGER THE YOUNGER | Apelles before Alexander the Great and Campaspe
OTTOMAR ELLIGER THE YOUNGER | Apelles before Alexander the Great and Campaspe
OTTOMAR ELLIGER THE YOUNGER | Apelles before Alexander the Great and Campaspe
OTTOMAR ELLIGER THE YOUNGER | Apelles before Alexander the Great and Campaspe
OTTOMAR ELLIGER THE YOUNGER | Apelles before Alexander the Great and Campaspe
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Property from the SØR Rusche Collection

OTTOMAR ELLIGER THE YOUNGER | Apelles before Alexander the Great and Campaspe

Estimate: 5,000 - 7,000 GBP

Property from the SØR Rusche Collection

OTTOMAR ELLIGER THE YOUNGER | Apelles before Alexander the Great and Campaspe

Estimate: 5,000 - 7,000 GBP

Lot Sold:10,000GBP

Lot Details

Description

Property from the SØR Rusche Collection

OTTOMAR ELLIGER THE YOUNGER

Hamburg 1666 - 1732 Amsterdam

APELLES BEFORE ALEXANDER THE GREAT AND CAMPASPE


signed lower left on the pedestal: O. Elliger fecit.

oil on canvas

unframed: 64.4 x 78.5 cm.; 25⅜ x 30⅞ in.

framed: 73.7 x 87.9 cm.; 29 x 34⅝ in.


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Condition Report

Property from the SØR Rusche Collection is available to view at Sotheby’s, New Bond Street, 13 – 18 September (weekdays 9am – 4.30pm; weekend 12-5pm).


The canvas is lined. The paint surface is relatively clean and the varnish is shiny and slightly discoloured. Inspection under UV light reveals relatively little intervention. Fine lines of retouching disguises slight craquelure concentrated in the principal figures. There is a more concentrated area of retouching to the right of Campapse, as well as strengthening to the torso of the statue at centre right, in the dark of the arch upper centre, and in the base in the lower left. There are other scattered small retouchings in the foreground, and particularly along the left and right margins. The painting is in seemingly overall good condition, if a little pressed.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.


Please note, Condition 11 of the Conditions of Business for Buyers (Online Only) is not applicable to this lot.

Cataloguing

Provenance

Anonymous sale ('The Property of a Gentleman'), London, Sotheby's, 29 October 1998, lot 102, where acquired. 

Exhibited

Rotterdam, Kunsthal, At Home in the Golden Age, 9 February – 18 May 2008, no. 29.


The SØR Rusche Collection has been exhibited extensively over the last two decades. Please click here for further information.

Literature

Possibly A. Pigler, Barockthemen. Eine Auswahl von Verzeichnissen zur Ikonographie des 17. und 18. Jahrhunderts, Budapest 1974, vol. II, p. 367;

C. Roll, Ottmar Elliger d.J. (1666-1732): Leben und Werk, doctoral diss.Augsburg 2002, cat. no. G.26;

W. Pijbes, M. Aarts, M.J. Bok et alAt Home in the Golden Age, exh. cat., Zwolle 2008, p. 51, cat. no. 29, reproduced in colour;

H.-J. Raupp (ed.), Niederländische Malerei des. 17. Jahrhunderts der SØR Rusche-Sammlung, vol. 4, Historien und Allegorien, Münster/Hamburg/London 2010, pp. 130–35, cat. no. 19, reproduced in colour.

Catalogue Note

The German-born Ottomar Elliger the Younger established himself as a history painter. He received his early training from his father, a realist still-life painter, as well as Michiel van Musscher, although it was the idealistic style discovered later in the studio of Gerard de Lairesse that had a profound impact on his artistic output, notable for its dramatic lighting and strong colouring. Apelles was commissioned to paint Alexander the Great's mistress, Campaspe (in the centre of this composition) and fell in love with her while doing so. In appreciation of the painter's work Alexander offered him Campaspe's hand, as well as a medal.  

Old Masters Online | Part I: Property from the SØR Rusche Collection | Part II: Property from Various Owners
Online bidding closed19 Sep 2019 | 05:42 PM GMT