MANNER OF BERNARD VAN ORLEY | Madonna and Child, standing in an interior
MANNER OF BERNARD VAN ORLEY | Madonna and Child, standing in an interior
MANNER OF BERNARD VAN ORLEY | Madonna and Child, standing in an interior
MANNER OF BERNARD VAN ORLEY | Madonna and Child, standing in an interior
MANNER OF BERNARD VAN ORLEY | Madonna and Child, standing in an interior
MANNER OF BERNARD VAN ORLEY | Madonna and Child, standing in an interior
111

The Property of a Gentleman

MANNER OF BERNARD VAN ORLEY | Madonna and Child, standing in an interior

Estimate: 2,000 - 3,000 GBP

The Property of a Gentleman

MANNER OF BERNARD VAN ORLEY | Madonna and Child, standing in an interior

Estimate: 2,000 - 3,000 GBP

Lot Sold:2,500GBP

Lot Details

Description

The Property of a Gentleman

MANNER OF BERNARD VAN ORLEY

MADONNA AND CHILD, STANDING IN AN INTERIOR


oil on oak panel

unframed: 28.6 x 19.8 cm.; 11¼ x 7¾ in.

framed: 47.8 x 38.9 cm.; 18¾ x 15¼ in.


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Condition Report

Property from Various Owners is available to view at the Sotheby’s Greenford Park warehouse, 13 and 16 – 18 September (10 - 4pm), by appointment.


The panel is uncradled, flat and stable. The paint surface is slightly dirty, and the varnish is discoloured. There are two losses (visible in the digital image) centre left in the architecture, and another smaller loss in the lower left corner. There is evidence of some tenting in the paint surface centre right in the columns, just above the Virgin's head, and in the centre of the upper margin. Small spots of retouching are visible to other previous losses in the centre of the lower margin and in the upper left corner, and other fine lines of discoloured retouching are visible in the foreground, in the dark background, through the Virgin's blue robe, and in her white mantle, face, and in the Christ Child. Inspection under ultraviolet light confirms these, revealing the retouching to the craquelure to be an older campaign, with some more recent retouchings scattered in the columns (left), around the Virgin's arm, and in the hem of her robe. In overall fair condition.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.


Please note, Condition 11 of the Conditions of Business for Buyers (Online Only) is not applicable to this lot.

Cataloguing

Provenance

Sir William Henry Feilden Bt.;

Henry George Bohn (1796-1884), Twickenham;

His posthumous sale, London, Christie's, 19-28 March 1885, lot 512 (as B. van Orley), for £10-10s.;

Ernst Philip Goldschmidt (1887-1954);

His sale, London, Christie's, 13 March 1936, lot 18 (as B. van Orley), to Collings;

Dr. Heinrich Becker, Dortmund, by 1954, until after 1967, and probably until 1974;

With Hans M. Cramer, The Hague, by 1974 (in his Catalogue XIX. Part Two of that year, no. 63, as Attributed to Bernart van Orley).

Exhibited

Dortmund, Museum Dortmund [Schloss Cappenberg], Meisterwerke alter Malerei, April - July 1954, no. 29.

Literature

R. Fritz, Sammlung Becker, vol. I, Gemälde Alter Meister, Dortmund 1967, unpaginated, cat. no. 48, reproduced.

Catalogue Note

The figures of the Madonna and Child in this image are freely derived from both half- and full-length designs associated with Robert Campin.

Old Masters Online | Part I: Property from the SØR Rusche Collection | Part II: Property from Various Owners
Online bidding closed19 Sep 2019 | 05:42 PM GMT