JOHANN SPILBERG THE YOUNGER | Portrait of a lady, half-length, in imaginary costume
JOHANN SPILBERG THE YOUNGER | Portrait of a lady, half-length, in imaginary costume
JOHANN SPILBERG THE YOUNGER | Portrait of a lady, half-length, in imaginary costume
JOHANN SPILBERG THE YOUNGER | Portrait of a lady, half-length, in imaginary costume
JOHANN SPILBERG THE YOUNGER | Portrait of a lady, half-length, in imaginary costume
JOHANN SPILBERG THE YOUNGER | Portrait of a lady, half-length, in imaginary costume
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Property from the SØR Rusche Collection

JOHANN SPILBERG THE YOUNGER | Portrait of a lady, half-length, in imaginary costume

Estimate: 8,000 - 12,000 GBP

Property from the SØR Rusche Collection

JOHANN SPILBERG THE YOUNGER | Portrait of a lady, half-length, in imaginary costume

Estimate: 8,000 - 12,000 GBP

Lot Sold:20,000GBP

Lot Details

Description

Property from the SØR Rusche Collection

JOHANN SPILBERG THE YOUNGER

Düsseldorf 1619 - 1690

PORTRAIT OF A LADY, HALF-LENGTH, IN IMAGINARY COSTUME


oil on canvas

unframed: 78 x 64.2 cm.; 30 6/8 x 25¼ in.

framed: 84.8 x 72.5 cm.; 33¼ x 28½ in. 


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Condition Report

Property from the SØR Rusche Collection is available to view at Sotheby’s, New Bond Street, 13 – 18 September (weekdays 9am – 4.30pm; weekend 12-5pm).


The canvas is lined. The paint surface is quite dirt and the varnish is discoloured. The network of craquelure has become quite pronounced in the figures flesh tones and the canvas shows evidence of slight wear. Inspection under ultraviolet light reveals a thick streaky varnish underneath which some spot retouching is visible in her face, most notably around her lips, and in her chest, but it is difficult to discern much else. In overall fine condition.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.


Please note, Condition 11 of the Conditions of Business for Buyers (Online Only) is not applicable to this lot.

Cataloguing

Provenance

With Knoedler, New York (as G. Flinck);

Private collection, Switzerland;

With S. Nystad, The Hague, by 1983;

With Xaver Scheidwimmer, Munich, by 1984 (when advertised in Die Weltkunst, 15 November 1984, p. 3354), from whom acquired in 1987.

Exhibited

Liesborn, Museum Abtei Liesborn, on loan;

Rotterdam, Kunsthal, At Home in the Golden Age, 9 February – 18 May 2008, no. 89.


The SØR Rusche Collection has been exhibited extensively over the last two decades. Please click here for further information.

Literature

W. Sumowski, Gemälde der Rembrandt-Schüler, Landau 1983, vol. II, pp. 1006-07, reproduced in colour p. 1014;

H.-J. Raupp (ed.), Niederländische Malerei des. 17. Jahrhunderts der SØR Rusche-Sammlung, vol. I, Portraits, Münster/Hamburg/London 1995, pp. 136-37, cat. no. 52, reproduced in colour;

W. Pijbes, M. Aarts, M. J. Bok et al, At Home in the Golden Age, exh. cat., Zwolle 2008, p. 95, cat. no. 89, reproduced in colour.

Catalogue Note

Spilberg was a pupil of Govert Flinck and court painter in Düsseldorf to Johann Wilhelm, Elector Palatine. This painting was considered by J.G. van Gelder to be an early work by Johann Spilberg the Younger, an opinion published in Werner Sumowski's volume of 1983 (see Literature), where it is compared with Spilberg's signed and dated depiction of Jael, dated 1644, in the Gemäldegalerie, Berlin.1


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Old Masters Online | Part I: Property from the SØR Rusche Collection | Part II: Property from Various Owners
Online bidding closed19 Sep 2019 | 05:42 PM GMT