View full screen - View 1 of Lot 66. JAN JOSEF HOREMANS THE YOUNGER | An elegant interior with figures having a tea party.
66

JAN JOSEF HOREMANS THE YOUNGER | An elegant interior with figures having a tea party

UK: Greenford Park Warehouse

Estimate:

5,000

to
- 7,000 GBP

Property from the SØR Rusche Collection

JAN JOSEF HOREMANS THE YOUNGER | An elegant interior with figures having a tea party

JAN JOSEF HOREMANS THE YOUNGER | An elegant interior with figures having a tea party

Estimate:

5,000

to
- 7,000 GBP

Lot sold:

9,375

GBP

Property from the SØR Rusche Collection

JAN JOSEF HOREMANS THE YOUNGER

Antwerp circa 1714 - after 1790

AN ELEGANT INTERIOR WITH FIGURES HAVING A TEA PARTY


signed and dated lower left: J. Horeman f. / 1752.

oil on canvas

unframed: 49.4 x 58.4 cm.; 19½ x 23 in.

framed: 65.1 x 73.9 cm.; 25⅝ x 29⅛ in. 


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Property from the SØR Rusche Collection is available to view at Sotheby’s, New Bond Street, 13 – 18 September (weekdays 9am – 4.30pm; weekend 12-5pm).


The canvas is lined. The paint surface is clean, and the varnish is clear and even. Inspection under UV light reveals retouching in the background, notably along the left margin by the brick stove, at the centre of the right margin and the lower right corner, in the striped wallpaper at centre left above the figures, and throughout the upper half of the painting. There is a diagonal line of retouching to what is probably an old fold in the upper right corner measuring approximately 12 cm long. There are further retouches in a concentrated area measuring 1 x 2 cm in the centre of the stone mantelpiece, scattered in the dark hearth behind the central seated lady, scattered in the chair and back of seated woman in yellow at left, around the chair and the white tablecloth at lower centre, and around the silhouette and scattered in the blue coat of the standing man. None of these distract from the legibility of the image, which appears fresh and ready to hang in its current state.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.


Please note, Condition 11 of the Conditions of Business for Buyers (Online Only) is not applicable to this lot.

Mr Reginald Toms (1892-1978), Chateau de Coinsins, Switzerland;

His sale, London, Sotheby's, 7-9 June 1995, lot 270 (as Horemans the Elder, and one of a pair), where acquired.

H.-J. Raupp (ed.), Niederländische Malerei des. 17. Jahrhunderts der SØR Rusche-Sammlung, vol. 2, Genre, Münster/Hamburg/London 1996, pp. 140-43, cat. no. 33, reproduced in colour.

The SØR Rusche Collection has been exhibited extensively over the last two decades. Please click here for further information.

Jan Josef Horemans the Younger qualified as a master of the Guild of St. Luke in Antwerp on 10 February 1767 and was dean of the guild on two occasions (1768–69 and 1775–76). He was a placid apologist for bourgeois virtues and, following his father’s example, admirably recreated the atmosphere of his age in a multitude of paintings such as the present one. He signed in the same way as his father, but his palette is generally lighter, earning him the nickname 'Le Clair.'