View full screen - View 1 of Lot 117. GREEK MASTER, ACTIVE IN VENICE, SECOND QUARTER OF THE 16TH CENTURY | Madonna and Child with Saints Peter and Apollonia.
117

GREEK MASTER, ACTIVE IN VENICE, SECOND QUARTER OF THE 16TH CENTURY | Madonna and Child with Saints Peter and Apollonia

UK: Greenford Park Warehouse

Estimate:

6,000

to
- 8,000 GBP

The Property of a Gentleman

GREEK MASTER, ACTIVE IN VENICE, SECOND QUARTER OF THE 16TH CENTURY | Madonna and Child with Saints Peter and Apollonia

GREEK MASTER, ACTIVE IN VENICE, SECOND QUARTER OF THE 16TH CENTURY | Madonna and Child with Saints Peter and Apollonia

Estimate:

6,000

to
- 8,000 GBP

The Property of a Gentleman

GREEK MASTER, ACTIVE IN VENICE, SECOND QUARTER OF THE 16TH CENTURY

MADONNA AND CHILD WITH SAINTS PETER AND APOLLONIA


oil and gold on panel, unframed

unframed: 39.8 x 51.7 cm.; 15⅝ x 20⅜ in.


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This work is available to view at Sotheby’s, New Bond Street, 13 – 18 September (weekdays 9am – 4.30pm; weekend 12-5pm).


The panel is cradled, flat and stable. The paint surface is relatively dirty with a discoloured varnish. There are a handful of old splits in the panel, notably to a vertical split, starting just left of centre on the lower margin, measuring 17 cm. There are a few areas of tenting with associated small paint losses, notably along the right margin, in the Christ Child's halo, and just to the left of the Madonna's shoulder. Inspection under ultraviolet light reveals retouching along the aforementioned vertical split, tiny spots of retouching scattered in the Madonna's face, and further small spots scattered throughout the rest of the composition, with a notable area in the lower left corner, and just above Christ's head. In overall fair condition.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.


Please note, Condition 11 of the Conditions of Business for Buyers (Online Only) is not applicable to this lot.

Palazzo Passionei Paciotti, Urbino;

Anonymous sale, Rome, Ansuini Aste, 26 June 2018, lot 82 (as Attributed to Ioannis Permeniatis).

Many elements of this painting – the horizontal format, colourful palette, the choice of subject matter with the Madonna’s high throne covered in rich material, and the evocation of dawn in the background, not to mention the stylised branches of the trees and the figures themselves – point towards the hand of an icon painter, most probably Greek, working in Venice in the first half of the 16th century. Such an artist was undoubtedly influenced by the work of Angelos and Donatos Bizamanos, and Ioannis Permeniatis, who studied and assimilated Italian painting to create a synthesis with Byzantine tradition. We are grateful to Professor Michele Bacci for his assistance in the cataloguing of this lot.