FOLLOWER OF DAVID ROBERTS | A view of Utrecht, with the Dom Tower of St. Martin’s Cathedral
FOLLOWER OF DAVID ROBERTS | A view of Utrecht, with the Dom Tower of St. Martin’s Cathedral
FOLLOWER OF DAVID ROBERTS | A view of Utrecht, with the Dom Tower of St. Martin’s Cathedral
FOLLOWER OF DAVID ROBERTS | A view of Utrecht, with the Dom Tower of St. Martin’s Cathedral
FOLLOWER OF DAVID ROBERTS | A view of Utrecht, with the Dom Tower of St. Martin’s Cathedral
FOLLOWER OF DAVID ROBERTS | A view of Utrecht, with the Dom Tower of St. Martin’s Cathedral
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FOLLOWER OF DAVID ROBERTS | A view of Utrecht, with the Dom Tower of St. Martin’s Cathedral

Estimate: 1,000 - 1,500 GBP

FOLLOWER OF DAVID ROBERTS | A view of Utrecht, with the Dom Tower of St. Martin’s Cathedral

Estimate: 1,000 - 1,500 GBP

Lot Sold:2,000GBP

Lot Details

Description

FOLLOWER OF DAVID ROBERTS

A VIEW OF UTRECHT, WITH THE DOM TOWER OF ST. MARTIN'S CATHEDRAL


bears signature and date lower left: David Roberts. R.A. 1852

oil on panel

unframed: 40.2 x 30.2 cm.; 15⅞ x 11⅞ in.

framed: 55.5 x 45.4 cm.; 21⅞ x 17⅞ in.


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Condition Report

Property from Various Owners is available to view at the Sotheby’s Greenford Park warehouse, 13 and 16 – 18 September (10 - 4pm), by appointment.


The panel is uncradled, flat and stable. The paint surface is clean with a clear varnish. There is a raised spot of what appears to be glue to the right of the seated woman in a white blouse by the pedestal lower left, as well as very small surface scratches in her body, and longer 1 cm. long surface scratches below and to the right of that group of figures. There is another pin-prick loss and tiny surface scratch, both lower right. Inspection under ultraviolet light reveals only a handful of very minor retouchings to the aforementioned scratches, and to one starting along the centre of the lower margin approx. 2 cm. long. The painting is in overall very good condition.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Cataloguing

Provenance

With Ian MacNicol, Glasgow;

With W. Barker & Co., Alexandra Gallery, Harrogate.

Old Masters Online | Part I: Property from the SØR Rusche Collection | Part II: Property from Various Owners
Online bidding closed19 Sep 2019 | 05:42 PM GMT