CHRISTOFFEL LUBIENIECKI | Portrait of an elegantly-dressed lady and her son in a landscape before a stone monument
CHRISTOFFEL LUBIENIECKI | Portrait of an elegantly-dressed lady and her son in a landscape before a stone monument
CHRISTOFFEL LUBIENIECKI | Portrait of an elegantly-dressed lady and her son in a landscape before a stone monument
CHRISTOFFEL LUBIENIECKI | Portrait of an elegantly-dressed lady and her son in a landscape before a stone monument
CHRISTOFFEL LUBIENIECKI | Portrait of an elegantly-dressed lady and her son in a landscape before a stone monument
CHRISTOFFEL LUBIENIECKI | Portrait of an elegantly-dressed lady and her son in a landscape before a stone monument
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Property from the SØR Rusche Collection

CHRISTOFFEL LUBIENIECKI | Portrait of an elegantly-dressed lady and her son in a landscape before a stone monument

Estimate: 4,000 - 6,000 GBP

Property from the SØR Rusche Collection

CHRISTOFFEL LUBIENIECKI | Portrait of an elegantly-dressed lady and her son in a landscape before a stone monument

Estimate: 4,000 - 6,000 GBP

Lot Sold:7,500GBP

Lot Details

Description

Property from the SØR Rusche Collection

CHRISTOFFEL LUBIENIECKI

Stettin 1659 - 1729 Amsterdam

PORTRAIT OF AN ELEGANTLY-DRESSED LADY AND HER SON IN A LANDSCAPE BEFORE A STONE MONUMENT


signed and indistinctly dated lower right: CLubienietzky 16[...]

oil on canvas

unframed: 62.8 x 73.6 cm.; 24¾ x 29 in.

framed: 76.9 x 88 cm.; 30⅛ x 34⅝ in.


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Condition Report

Property from the SØR Rusche Collection is available to view at Sotheby’s, New Bond Street, 13 – 18 September (weekdays 9am – 4.30pm; weekend 12-5pm).


The canvas is lined. The surface is somewhat dirty with a slightly discoloured varnish. There is a visible pattern of craquelure throughout, and the surface has been somewhat pressed in some areas from the relining process. Some discolored spots of retouching are visible here and there throughout, for example in the stone monument and urn at right, and there seems to have been attention paid to the urn in the background behind the boy. Inspection under UV reveals an opaque varnish. It also reveals retouches scattered throughout, such as in the lower left and right corners, as well as at the center of the upper margin. There is an old thin and vertical line of repair in the upper left sky. There are some scattered spots and strokes of retouching throughout figures' faces and costumes, for example in the lady's lower left costume and in the shadows beneath her chin. In overall fair condition.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.


Please note, Condition 11 of the Conditions of Business for Buyers (Online Only) is not applicable to this lot.

Cataloguing

Provenance

Anonymous sale, Cologne, Peretz, 12 October 1974 (as attributed to Michiel van Musscher; when advertised in Die Weltkunst, vol. 44, no. 18, 1974, p. 1402);

Anonymous sale, London, Christie’s, 11 December 1992, lot 286 (as Michiel van Musscher), where acquired.

Exhibited

Liesborn, Museum Abtei Liesborn, on loan.


The SØR Rusche Collection has been exhibited extensively over the last two decades. Please click here for further information.

Literature

H.-J. Raupp (ed.), Niederländische Malerei des. 17. Jahrhunderts der SØR Rusche-Sammlung, vol. I, Portraits,

Münster/Hamburg/London 1995, pp. 90-93, cat. no. 32, reproduced in colour.

Catalogue Note

Christoffel Lubieniecki was born to a Polish family of painters, draughtsmen and soldiers, active in Germany and The Netherlands. Christoffel took drawing lessons while training as a soldier, before moving to Amsterdam in 1675, where he was taught to paint by Adriaen Backer. He gained recognition as a portraitist, working in the tradition of earlier 17th-century Dutch painting right up into the 18th century. The largest collection of his work is today in the Rijksmuseum, Amsterdam.

Old Masters Online | Part I: Property from the SØR Rusche Collection | Part II: Property from Various Owners
Online bidding closed19 Sep 2019 | 05:42 PM GMT