ATTRIBUTED TO JOHN JAMES MASQUERIER, R.A. | Portrait of a lady
ATTRIBUTED TO JOHN JAMES MASQUERIER, R.A. | Portrait of a lady
ATTRIBUTED TO JOHN JAMES MASQUERIER, R.A. | Portrait of a lady
ATTRIBUTED TO JOHN JAMES MASQUERIER, R.A. | Portrait of a lady
ATTRIBUTED TO JOHN JAMES MASQUERIER, R.A. | Portrait of a lady
ATTRIBUTED TO JOHN JAMES MASQUERIER, R.A. | Portrait of a lady
189

The Property of a Gentleman

ATTRIBUTED TO JOHN JAMES MASQUERIER, R.A. | Portrait of a lady

Estimate: 4,000 - 6,000 GBP

The Property of a Gentleman

ATTRIBUTED TO JOHN JAMES MASQUERIER, R.A. | Portrait of a lady

Estimate: 4,000 - 6,000 GBP

Lot Details

Description

The Property of a Gentleman

ATTRIBUTED TO JOHN JAMES MASQUERIER, R.A.

Chelsea 1778 - 1855 Brighton

PORTRAIT OF A LADY


oil on canvas

unframed: 76 x 62.1 cm.; 29⅞ x 24½ in.

framed: 88.5 x 74.4 cm.; 34⅞ x 29¼ in.


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Condition Report

Property from Various Owners is available to view at the Sotheby’s Greenford Park warehouse, 13 and 16 – 18 September (10 - 4pm), by appointment.


The canvas has a firm relining, the paint surface is dirty and the varnish is discoloured. A fairly tight, developed network of craquelure is apparent in the lighter areas of the painting. In raking light it is possible to discern a slight stretcher mark running around 2 in. in on all four margins, most notably along the upper margin. Inspection under ultraviolet light is impeded by the thick, opaque varnish, but would appear to reveal very little retouching, save for some small areas along the lower margin and scattered in the centre of the left margin, as well as a small retouching just above the sitter's hair, approx. 1 cm. long. There would appear to be some small retouchings in the sitter's shoulders and possibly also some very fine lines infilling some of the craquelure in the sitter's face and chest, but it is difficult to discern. The painting is in seemingly overall fair condition.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.


Please note, Condition 11 of the Conditions of Business for Buyers (Online Only) is not applicable to this lot.

Cataloguing

Provenance

On the art market, Paris, before 2000, where acquired.

Catalogue Note

John James Masquerier was born to French parents in London. He specialised in portraits, and was heavily influenced by Sir Thomas Lawrence and Sir Henry Raeburn - to whom the present work is clearly indebted. Indeed, a label on the reverse of the stretcher indicates that this portrait was formerly identified as Mrs H.W. Lauzun, whose likeness Raeburn depicted in circa 1796 in a painting now in the Tate.1


https://www.tate.org.uk/art/artworks/raeburn-mrs-h-w-lauzun-n01837

Old Masters Online | Part I: Property from the SØR Rusche Collection | Part II: Property from Various Owners
Online bidding closed19 Sep 2019 | 05:42 PM GMT