GIACOMO FRANCESCO CIPPER, CALLED TODESCHINI | A PEASANT AND A SPINNER WITH DEAD GAME
GIACOMO FRANCESCO CIPPER, CALLED TODESCHINI | A PEASANT AND A SPINNER WITH DEAD GAME
GIACOMO FRANCESCO CIPPER, CALLED TODESCHINI | A PEASANT AND A SPINNER WITH DEAD GAME
GIACOMO FRANCESCO CIPPER, CALLED TODESCHINI | A PEASANT AND A SPINNER WITH DEAD GAME
GIACOMO FRANCESCO CIPPER, CALLED TODESCHINI | A PEASANT AND A SPINNER WITH DEAD GAME
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PROPERTY FROM A PRIVATE COLLECTION SOLD WITHOUT RESERVE

GIACOMO FRANCESCO CIPPER, CALLED TODESCHINI | A PEASANT AND A SPINNER WITH DEAD GAME

Estimate: 8,000 - 12,000 USD

PROPERTY FROM A PRIVATE COLLECTION SOLD WITHOUT RESERVE

GIACOMO FRANCESCO CIPPER, CALLED TODESCHINI | A PEASANT AND A SPINNER WITH DEAD GAME

Estimate: 8,000 - 12,000 USD

Lot Sold:6,000USD
(29 bids, reserve met)

Lot Details

Description

PROPERTY FROM A PRIVATE COLLECTION

SOLD WITHOUT RESERVE


GIACOMO FRANCESCO CIPPER, CALLED TODESCHINI

Feldrich 1664 - 1736 Milan

A PEASANT AND A SPINNER WITH DEAD GAME


oil on canvas, unframed

canvas: 35½ by 47⅝ in.; 90.2 by 121 cm.

Condition Report

The canvas is wax lined which has caused the image to appear pressed. The surface of the paint is dirty. Some craquelure is visible here and there, like in the white tones, as well as spots of rubbing, like in the sleeve of the proper right arm of the figure at left and in the table at bottom right. Some spots of loss are scattered along the edges. A few scratches that are not too distracting are here and there like a scratch in the proper right shoulder of the sitter at left. Inspection under UV reveals a possible spot of repair at top right, above the girl's head and a spot of inpainting that runs vertically along the right edge. Further spots of retouches are scattered throughout though further reading is impeded due to a thick varnish. Offered unframed.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Cataloguing

Provenance

Private collection, Peru;

Thence by descent.


Catalogue Note

Although of Austrian origin, Todeschini spent most of his career in Italy where he specialized in genre scenes, many of which included dramatically lit still lifes like the present example. The wide smile of the figures in this scene as well as the slight gap between their squared teeth are characteristic details commonly used by Todeschini. The peasant boy holding a dead animal and the rabbit hanging from his leg appear in another work by Todeschini from 1700-10 in a private collection, Milan [1]. We are grateful to Dr. Maria Silvia Proni for endorsing the attribution to Giacomo Francesco Cipper on the basis of photographs.


1. Oil on canvas, 134 by 176 cm. See R. Bossaglia and V. Terraroli, Settecento lombardo, exhibition catalogue, Milan 1991, pp. 101-2, no. I.50, reproduced p. 99.

Old Masters Online
Online bidding closed30 Oct 2019 | 05:11 PM GMT