ATTRIBUTED TO CESARE GENNARI | SAINT AGNES
ATTRIBUTED TO CESARE GENNARI | SAINT AGNES
ATTRIBUTED TO CESARE GENNARI | SAINT AGNES
ATTRIBUTED TO CESARE GENNARI | SAINT AGNES
ATTRIBUTED TO CESARE GENNARI | SAINT AGNES
ATTRIBUTED TO CESARE GENNARI | SAINT AGNES
14

ATTRIBUTED TO CESARE GENNARI | SAINT AGNES

Estimate: 5,000 - 7,000 USD

ATTRIBUTED TO CESARE GENNARI | SAINT AGNES

Estimate: 5,000 - 7,000 USD

Lot Details

Description

ATTRIBUTED TO CESARE GENNARI

Cento 1637 - 1688 Bologna

SAINT AGNES


oil on canvas

canvas: 45¼ by 37⅞ in.; 114.9 by 96.2 cm.

framed: 58 by 51½ in.; 147.3 by 130.8 cm.

Condition Report

The Canvas is lined. The image reads relatively well despite some losses and a dull varnish. There are losses visible in Agnes's hair to left of her face, in the upper right background, in the lower left quadrant in her dress, and an area of lifting and cracking to the left of her face. Some old repairs are visible to the naked eye, especially in the upper left corner, as well as a vertical line running the height of canvas 2 inches from the left edge (possibly in response to a fold), and in the center and upper right background, including a line of repair 4-5 in. long in the upper right. Under UV inspection, the craquelure is more pronounced and the varnish fluoresces unevenly. The aforementioned repairs are visible, including 3 spots in the upper left quadrant, and scattered small lines of retouching throughout, especially to the shadow of her jawline, sleeve, and hand. We recommend consulting with a professional restorer for a treatment plan. Offered in a decoratively carved giltwood frame.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Cataloguing

Provenance

Anonymous sale, Rome, Christie's, 4 December 2000, lot 610 (as Circle of Guercino);

There acquired.

Catalogue Note

Following in the footsteps of many of his family members, Cesare Gennari joined the workshop of Guercino in Bologna in 1672. The prime version of this painting by Guercino, a half length Saint Agnes acquired by the Cardinal Alderano Cybo in 1652, is now lost, while a later, autograph version from circa 1660 is in a private collection [1]. Attesting to the popularity of this composition are the number of known replicas by Guercino and his workshop, likely executed to satisfy the demands of his patrons.


1. N. Turner, The Paintings of Guercino: A Revised and Expanded Catalogue raisonné, Rome 2017, p. 769.

Old Masters Online
Online bidding closed30 Oct 2019 | 05:11 PM GMT