ALBERT GREGORIUS | PORTRAIT OF A GENTLEMAN, HALF LENGTH
ALBERT GREGORIUS | PORTRAIT OF A GENTLEMAN, HALF LENGTH
ALBERT GREGORIUS | PORTRAIT OF A GENTLEMAN, HALF LENGTH
ALBERT GREGORIUS | PORTRAIT OF A GENTLEMAN, HALF LENGTH
ALBERT GREGORIUS | PORTRAIT OF A GENTLEMAN, HALF LENGTH
ALBERT GREGORIUS | PORTRAIT OF A GENTLEMAN, HALF LENGTH
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PROPERTY FROM A PRIVATE COLLECTION

ALBERT GREGORIUS | PORTRAIT OF A GENTLEMAN, HALF LENGTH

Estimate: 4,000 - 6,000 USD

PROPERTY FROM A PRIVATE COLLECTION

ALBERT GREGORIUS | PORTRAIT OF A GENTLEMAN, HALF LENGTH

Estimate: 4,000 - 6,000 USD

Lot Sold:4,000USD
(7 bids, reserve met)

Lot Details

Description

PROPERTY FROM A PRIVATE COLLECTION


ALBERT GREGORIUS

Bruges 1774 - 1853

PORTRAIT OF A GENTLEMAN, HALF LENGTH


oil on canvas, unlined

canvas: 28⅞ by 23½ in.; 73.3 by 59.7 cm.

framed: 38 by 33¼ in.; 96.5 by 84.5 cm.

Condition Report

Canvas is unlined. Painting presents a handsome sitter, with the paint surface beautifully preserved. Details such as the gold-diamond pin on the sitter's shirt has kept its original impasto. What appears to be a thin milky stain is on the sitter's arm at left and runs for about 1 in., while another is on the arm at right and runs for about 2 in. A minor dot of loss is at top right, above the sitter's head, with another pindot of loss is on the arm at right. Frame abrasions with minor associated dots of loss are along bottom edge. Inspection under UV reveals a milky varnish, under which there appears to be barely any retouching aside from a thin line less than 2 in. long that's on the sitter's proper left cheek. A few scattered small dots of retouching are also scarcely scattered on the dark shirt. The canvas is in overall good condition, but could improve its appearance if the small dots of loss are addressed. Offered in a giltwood frame with regular wear from age.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

Cataloguing

Provenance

In a private collection for over 25 years.

Catalogue Note

Albert Gregorius was a pupil of Jacques-Louis David and renowned for his neoclassical portraits. His talent as a painter enabled him to become director of the Bruges Academy where he taught celebrated artists such as Madox Brown. During the 19th century, Gregorius exhibited his paintings in the Ghent Salon and Paris Salon, gaining popularity with the French nobility.

Old Masters Online
Online bidding closed30 Oct 2019 | 05:11 PM GMT