ATTRIBUTED TO GIOVANNI BONAZZA (1654-1736), NORTHERN ITALIAN, 18TH CENTURY | PAIR OF RELIEFS WITH BUSTS OF WOMEN
Estimate: 20,000 - 30,000 GBP
ATTRIBUTED TO GIOVANNI BONAZZA (1654-1736)
NORTHERN ITALIAN, 18TH CENTURY
PAIR OF RELIEFS WITH BUSTS OF WOMEN
marble, on black marble bases
reliefs: 32cm., 12⅝in. each
42cm., 16½in. each overall
Overall the condition of the marbles is good, with minor dirt and wear to the surface consistent with age. There is some attractive staining to the marble to the hair and around the crevices. There are a few minor chips and abrasions to some of the high points and around the edges. There are a few very small naturally occurring inclusions to the marble, including to the top of the nose and neck of the woman facing to her right. There are a few minor rust-coloured marks to the edges of both reliefs. There are some residues to the top of the head of the woman facing to her right. The reliefs are attached to the bases with iron mounts at the back. The bases are in good condition with minor general wear, including a few nicks and small chips.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should
also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
A. Bacchi (ed.), A Taste for Sculpture II, exh. cat. Brun Fine Art, London, 2015, pp. 50-55, nos. 7-8
The present female heads, with broad straight noses, round faces, and slightly pursed, full lips, show a facial type which is very close to works associated with Filippo Parodi and his workshop. Compare, for instance, to a Primavera in the Villa Pisani (op. cit. fig. 50), which further shows similar carefully delineated strands of hair. The slight tilt of the head also compares, as does a bust sold at Christie's London, from the circle of Parodi, 12 December 2002, lot 36.
S. Guerriero, 'Le alterne fortune dei marmi: busti, teste di carattere e altre "scolture moderne" nelle collezioni veneziane tra Sei e Settecento', in G. Pavanello (ed.), La Scultura Veneta del Seicento e del Settecento: Nuovi Studi, Venice, 2002, pp. 73-150