CIRCLE OF DIEGO DE SILOÉ (CIRCA 1490-1553) AND FELIPE VIGARNY (CIRCA 1470-1542), SPANISH, BURGOS, CIRCA 1520-1525 | SAINT ANNE WITH THE VIRGIN AND CHILD
CIRCLE OF DIEGO DE SILOÉ (CIRCA 1490-1553) AND FELIPE VIGARNY (CIRCA 1470-1542), SPANISH, BURGOS, CIRCA 1520-1525 | SAINT ANNE WITH THE VIRGIN AND CHILD
CIRCLE OF DIEGO DE SILOÉ (CIRCA 1490-1553) AND FELIPE VIGARNY (CIRCA 1470-1542), SPANISH, BURGOS, CIRCA 1520-1525 | SAINT ANNE WITH THE VIRGIN AND CHILD
CIRCLE OF DIEGO DE SILOÉ (CIRCA 1490-1553) AND FELIPE VIGARNY (CIRCA 1470-1542), SPANISH, BURGOS, CIRCA 1520-1525 | SAINT ANNE WITH THE VIRGIN AND CHILD
CIRCLE OF DIEGO DE SILOÉ (CIRCA 1490-1553) AND FELIPE VIGARNY (CIRCA 1470-1542), SPANISH, BURGOS, CIRCA 1520-1525 | SAINT ANNE WITH THE VIRGIN AND CHILD
CIRCLE OF DIEGO DE SILOÉ (CIRCA 1490-1553) AND FELIPE VIGARNY (CIRCA 1470-1542), SPANISH, BURGOS, CIRCA 1520-1525 | SAINT ANNE WITH THE VIRGIN AND CHILD
37

CIRCLE OF DIEGO DE SILOÉ (CIRCA 1490-1553) AND FELIPE VIGARNY (CIRCA 1470-1542), SPANISH, BURGOS, CIRCA 1520-1525 | SAINT ANNE WITH THE VIRGIN AND CHILD

Estimate: 25,000 - 35,000 GBP

CIRCLE OF DIEGO DE SILOÉ (CIRCA 1490-1553) AND FELIPE VIGARNY (CIRCA 1470-1542), SPANISH, BURGOS, CIRCA 1520-1525 | SAINT ANNE WITH THE VIRGIN AND CHILD

Estimate: 25,000 - 35,000 GBP

Lot Details

Description

CIRCLE OF DIEGO DE SILOÉ (CIRCA 1490-1553) AND FELIPE VIGARNY (CIRCA 1470-1542)

SPANISH, BURGOS, CIRCA 1520-1525

SAINT ANNE WITH THE VIRGIN AND CHILD


partially gilt and polychromed alabaster

59cm., 23¼in.

Condition Report

Overall the condition of the alabaster is good with minor dirt and wear to the surface consistent with age. There are a few reattachments with original pieces: the top of Saint Anne’s headdress, and Christ’s proper right foot and His mother’s proper right hand. There is an area of composite restoration to the back of Saint Anne’s headdress. Saint Anne’s proper left foot is lost and the front right corner of the base is lost. There are various small chips and losses to the drapery including to the edge of the swathe at Saint Anne’s proper left thigh. There are various minor nicks and abrasions to some of the high points. The tip of the Virgin’s nose is lost. There is glue to Saint Anne’s nose and a possible loss to the tip. There is veining to the alabaster throughout consistent with the material. There are chips to Saint Anne’s proper right fingers. The gilding appears to be original but may be refreshed.


"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Saleroom Notice

This lot should have a W symbol and will be sent to Greenford park after the sale. Please refer to the printed catalogue for further information.

Cataloguing

Provenance

private collection, Spain

Catalogue Note

This beautifully carved group representing St Anne with the Virgin and the Christ Child has been attributed by Dr Antoni José i Pitarch to a workshop linked to the celebrated Spanish Renaissance sculptors Diego de Siloé and Felipe Vigarny when they were both active in Burgos working on sculpture for the Chapel of the Constables (capilla de los Condestables) in Burgos Cathedral. St Anne became an important figure of veneration in Spain during the 16th century and the image of Anna Selbdritt or St Anne with the Virgin and the Christ Child was transferred to Spain from northern Europe by Flemish sculptors who worked in Castille and Andalusia. The present group has been executed on a small scale which creates a sense of preciousness. It embodies many of the advancements introduced to Spanish sculpture by Diego de Siloe who was described by the theorist Francisco de Hollanda (circa 1517/18-1584) as one of the seven 'eagles' of the Renaissance in Spain. Note the characteristic flowing drapery and the tactile nature of the figures. Compare with the group of the Virgin and St Joseph holding the Christ Child in the Altarpiece with the Circumcision from the Constables Chapel. Note also an alabaster relief from the circle of Vigarny, dated to circa 1530, in the Victoria and Albert Museum, London (inv. no. A. 185-1919). This is carved with an image of the Pietà and shows the Virgin in a similar headdress which sweeps across the chest to the shoulder. The quality of the carving of the present group is very fine, and the alabaster has an attractive warm hue.


RELATED LITERATURE

M. Trusted, Spanish Sculpture, A catalogue of the collection in the Victoria and Albert Museum, London, 1996, pp. 31-38; M. B. Atienza (ed.), Guide Museo Nacional Colegio de San Gregorio, Valladolid, 2003, p. 61


An expertise by Dr Antoni José i Pitarch, University of Barcelona, is available upon request.

CIRCLE OF DIEGO DE SILOÉ (CIRCA 1490-1553) AND FELIPE VIGARNY (CIRCA 1470-1542), SPANISH, BURGOS, CIRCA 1520-1525 | SAINT ANNE WITH THE VIRGIN AND CHILD
CIRCLE OF DIEGO DE SILOÉ (CIRCA 1490-1553) AND FELIPE VIGARNY (CIRCA 1470-1542), SPANISH, BURGOS, CIRCA 1520-1525 | SAINT ANNE WITH THE VIRGIN AND CHILD
Lot Closed