1925 - 2018
Mixed color intaglio on paper. Editioned in French lower left and signed 'N. Krishna Reddy' lower right
Artist's Proof from an edition of 100 + 10 APs
Image: 14 ⅝ x 18 ¾ in. (37.1 x 47.7 cm.) Folio: 19 ½ x 26 in. (49.5 x 66 cm.)
This work is in a temporary frame.
There is minor wear and creasing along the edges. Undulation in the work is consistent with the medium. This work is in very good condition, as viewed. It is in a temporary frame.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.
Galerie van de Loo, Munich
Acquired from the above circa 2016
New York, Bronx Museum of the Arts, Krishna Reddy: A Retrospective, 5 November 1981 - 28 February 1982 (another from the edition)
R. Sengupta, Krishna's Cosmos : The Creativity of an Artist, Sculptor & Teacher, Grantha Corporation 2003, illustration p. 58 (another from the edition)
Exhibition Catalogue: Krishna Reddy, A Retrospective, Bronx Museum of the Arts, New York, 1981-82, frontispiece (another from the edition)
R. Bartolomew, Contemporary Indian Art Series: Krishna Reddy, Lalit Kala Akademi, New Delhi, 1974, illustration pl. 3 (another from the edition)
Krishna Reddy first trained to be a mathematician and scientist. He then went on to study art at Santiniketan, which is where he learned to make black and white etchings. After a sojourn at the Slade School of Fine Arts and a foray into sculpture in Milan with Ossip Zadkine and Marino Marini, he returned to printmaking and pioneered a new printing technique. He layered color on a printing plate simultaneously, so that they could be superimposed, yet their different viscosities would naturally cause them to separate, achieving a spectacular effect and eliminating the need to apply one color to the plate at a time.
Speaking of this work, Krishna Reddy has articulated "I was inspired by Beethoven's "Pastorale" to work this plate. The power of the music exploded into an extraordinary space embedded with shapes. In the skeleton on interwoven structures, strange forms and shapes emerged which I tried to perfect by carving with scrapers and burins. the more I worked the more dynamic the landscape became." (K. Reddy, Catalogue Raisonne, Exhibition catalogue, Krishna Reddy: A Retrospective, Bronx Museum of the Arts, New York, 1981, p. 68)