ABDUR RAHMAN CHUGHTAI | KASHMIRI WOODCUTTER; DUPTA (SIC)
ABDUR RAHMAN CHUGHTAI | KASHMIRI WOODCUTTER; DUPTA (SIC)
ABDUR RAHMAN CHUGHTAI | KASHMIRI WOODCUTTER; DUPTA (SIC)
ABDUR RAHMAN CHUGHTAI | KASHMIRI WOODCUTTER; DUPTA (SIC)
ABDUR RAHMAN CHUGHTAI | KASHMIRI WOODCUTTER; DUPTA (SIC)
ABDUR RAHMAN CHUGHTAI | KASHMIRI WOODCUTTER; DUPTA (SIC)
ABDUR RAHMAN CHUGHTAI | KASHMIRI WOODCUTTER; DUPTA (SIC)
1802

PROPERTY FROM A PRIVATE COLLECTION, WASHINGTON DC

ABDUR RAHMAN CHUGHTAI | KASHMIRI WOODCUTTER; DUPTA (SIC)

Estimate: 5,000 - 7,000 USD

PROPERTY FROM A PRIVATE COLLECTION, WASHINGTON DC

ABDUR RAHMAN CHUGHTAI | KASHMIRI WOODCUTTER; DUPTA (SIC)

Estimate: 5,000 - 7,000 USD

Lot Sold:15,000USD

Lot Details

Description

PROPERTY FROM A PRIVATE COLLECTION, WASHINGTON DC

ABDUR RAHMAN CHUGHTAI

1894 - 1975

KASHMIRI WOODCUTTER; DUPTA (SIC)


Etching on paper. Signed and titled 'Rahman Chughtai "Kashmiri Woodcutter"' lower edge; Signed and titled 'Rahman Chughtai "Dupta"' (sic) lower edge

Kashmiri Woodcutter- Image: 17 ¾ x 11 ⅜ in. (45.1 x 28.8 cm.) Folio: 21 ¾ x 14 ⅝ in. (55.1 x 37.2 cm.); Dupta- Image: 11 ¼ x 3 ⅝ in. (28.7 x 9.2 cm.) Folio: 15 ⅝ x 6 in. (39.8 x 15.2 cm.)


These works are in temporary frames.

Condition Report

There are pin sized holes on the corners of both works and minor wear to paper on the borders of Dupta. Errant ink accretions on the borders of Kashmiri woodcutter appear inherent. Small pieces of tape are visible on the reverse. These works are in good condition, as viewed. They are in temporary frames.


The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot

Cataloguing

Provenance

Private Collection of Marshall Hendricks, Washington DC

Thence by descent 

Marshall Hendricks was an intelligence expert, long-time art collector and influential art dealer in greater Washington area. In the 1950s, Hendricks served in the Navy in the Mediterranean and North Africa. In the 1960s, he advanced in the intelligence field and worked in Tokyo (1965-70). In the summer of 1970, he and his family embarked on a three-month travel schedule with Pakistani friends who exposed him to the work of AR Chughtai. It was during these travels that Hendricks amassed an eclectic collection which included these works as well as numerous Japanese prints, fantasy mind-scapes, and works by artists from the American west. From the 1970s – 90s, he practiced law in Washington, DC and was involved with various presidential campaigns as an adviser. Together with his wife, Kappy, he established the Hendricks Art Collection in Bethesda, Maryland in 1970 and began to offer Japanese woodblock prints to buyers in America and beyond – always seeking the best images and top-quality prints.

Exhibited

London, Grosvenor Gallery, Chughtai’s Etchings: Editions of a Master, 29 October - 14 November 2014 (other from the editions)

Literature

C. Moore, Chughtai’s Etchings: Editions of a Master, Grosvenor Gallery, London, 2014, illustration p. 21 and 43 (other from the editions)

Modern and Contemporary South Asian Art Online
Online bidding closed16 Sep 2019 | 07:50 PM GMT