WILLIAM KENTRIDGE | SCRIBBLE CAT (CHASING YOUR OWN TAIL III)
WILLIAM KENTRIDGE | SCRIBBLE CAT (CHASING YOUR OWN TAIL III)
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WILLIAM KENTRIDGE | SCRIBBLE CAT (CHASING YOUR OWN TAIL III)

Estimate: 100,000 - 150,000 GBP

WILLIAM KENTRIDGE | SCRIBBLE CAT (CHASING YOUR OWN TAIL III)

Estimate: 100,000 - 150,000 GBP

Lot Sold:125,000GBP

Lot Details

Description

WILLIAM KENTRIDGE

South African

b.1955

SCRIBBLE CAT (CHASING YOUR OWN TAIL III)


signed, titled, dated 2012 and numbered 3/6 on a fabric label on the reverse

mohair, silk and embroidered tapestry

170 by 305cm., 67 by 120in.

Condition Report

No obvious condition issues apart from minor surface marks. Brown traces to fabric covering the reverse and areas of yellowing/staining on the reverse.


Please note that all of these marks on the reverse are to the white fabric covering the reverse of the work and not to the actual reverse of the tapestry itself.


Light pulling and fraying in some places.


Colours are true to catalogue illustration.


Further enquiries:

Please telephone the department on +44 (0) 207 293 6323 if you have any questions regarding the present work.


"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.

NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Cataloguing

Provenance

Private Collection, South Africa (acquired directly from the artist)

Private Collection, UK

Catalogue Note

Born in 1955, in Johannesburg, South Africa, William Kentridge is best known for his cross-fertilization of mediums, including; drawings, theatre productions and films. Innovative in his approach, the focal points of his artistic practice are identity and concerns of immense inequity in post-apartheid South Africa.


Since 2001, Kentridge has produced a series of tapestries consisting of drawings in which shadowy figures are conjured from ripped construction paper and are collaged onto web-like background of nineteenth-century atlas maps. To transform these drawings and collages into tapestry, Kentridge works in conjunction with Johannesburg-based weaver, Marguerite Stephens (Stephens Tapestry Studio), a frequent collaborator for over twenty years, a relationship which has resulted in over forty tapestries. The process of creating these tapestries include; designing cartoons from enlarged photographs of the drawings and hand-pick dyes to colour the locally spun mohair. The weaving process gives the collages a visual energy emphasising the tapestries’ aptitudes for complexity, colour and scale.


The Scribble Cat is an embroidered tapestry portraying large, dark silhouettes against texts from books. Kentridge initially created a small-scale drawing and collage (number I, 2010) from his cat sculptures, based on the blue cat which appears in his animated film, Stereoscope (1999). Shortly after, he made a large painting on canvas (number II, 2011). This is particularly exceptional for Kentridge, given that he has only made a few canvas paintings in his career. This canvas served as a moquette for the tapestry, hence the weaving is number III. Both the painting and drawing were included in Other Faces exhibition at Goodman Gallery, Johannesburg in 2011.


Today, William Kentridge is recognised as a leading contemporary artist and his works are exhibited at The Museum of Modern Art in New York, the Art Institute of Chicago, the Tate Gallery in London, and the Goetz Collection in Munich. Most recently in 2019, Kentridge’s works are part of two major survey shows including William Kentridge: A Poem That Is Not Our Own, Kunstmuseum, Basel and his largest exhibition Why Should I Hesitate: Putting Drawings to Work & Why Should I Hesitate: Sculpture hosted simultaneously at Zeitz MOCAA and Norval Foundation, Cape Town.

Modern and Contemporary African Art
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