CIRCLE OF JAN DAVIDSZ. DE HEEM | STILL LIFE WITH A ROEMER, A WINE GLASS, OYSTERS, AN ORANGE, A MELON, AND A ROLL, ALL ON A TABLE DRAPED IN A CLOTH
CIRCLE OF JAN DAVIDSZ. DE HEEM | STILL LIFE WITH A ROEMER, A WINE GLASS, OYSTERS, AN ORANGE, A MELON, AND A ROLL, ALL ON A TABLE DRAPED IN A CLOTH
CIRCLE OF JAN DAVIDSZ. DE HEEM | STILL LIFE WITH A ROEMER, A WINE GLASS, OYSTERS, AN ORANGE, A MELON, AND A ROLL, ALL ON A TABLE DRAPED IN A CLOTH
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CIRCLE OF JAN DAVIDSZ. DE HEEM | STILL LIFE WITH A ROEMER, A WINE GLASS, OYSTERS, AN ORANGE, A MELON, AND A ROLL, ALL ON A TABLE DRAPED IN A CLOTH

Estimate: 10,000 - 15,000 USD

CIRCLE OF JAN DAVIDSZ. DE HEEM | STILL LIFE WITH A ROEMER, A WINE GLASS, OYSTERS, AN ORANGE, A MELON, AND A ROLL, ALL ON A TABLE DRAPED IN A CLOTH

Estimate: 10,000 - 15,000 USD

Lot Sold:18,750USD

Lot Details

Description

Property from a Private Connecticut Collection

CIRCLE OF JAN DAVIDSZ. DE HEEM

STILL LIFE WITH A ROEMER, A WINE GLASS, OYSTERS, AN ORANGE, A MELON, AND A ROLL, ALL ON A TABLE DRAPED IN A CLOTH


bears signature upper right: J. D. de Heem

oil on panel

13½ by 17½ in.; 34.2 by 44.5 cm. 

Condition Report

The panel is flat, uncradled, and beveled on all four edges. The decorative image reads well beneath the varnish with details well-preserved, for example, the oysters and the reflective glass at left. Inspection under UV light reveals a rather milky varnish that is difficult to read through in areas. More recent retouching, though, is visible at the edges of the lower right corner, for example to the fruit at center of right edge and in the darkened shadows to the right of the lower edge. There are some finely applied strokes of retouching scattered here and there in the still life, with more a more concentrated strokes to parts of the orange at left. Scattered spots of retouching fluoresce here and there in the shadows of the background, primarily around the two glasses at left and at center. The painting is stable and can hang as is. Offered in a simply carved darkwood frame.


In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Cataloguing

Provenance

Anonymous sale ("The Property of a Lady"), London, Christie's, 15 April 1983, lot 70 (as Joris van Son);

Anonymous sale, New York, Christie's, 15 January 1986, lot 151 (as Jan Davidsz de Heem, according to Bergström);

There acquired.

Literature

F. Meijer, Jan Davidsz. de Heem, Ph.D dissertation, 2016, p. 247, reproduced fig. AU 34 (as Circle of J. Davidsz. de Heem, possibly E. Van den Broeck);

F. Meijer, Jan Davidsz. de Heem: Part 2 Catalogue Raisonné, Amsterdam 2016, p. 249, under cat. no. A222.

Catalogue Note

This striking still-life bears visual affinities to works by Jan Davidsz. de Heem, including one in the Staatliche Kunsthalle, Karlsruhe [1] and one formerly with Richard Green [2].  The present example seems to relate to the mature still-lifes (circa 1670) of Elias van den Broeck, a Dutch Golden Age painter who was a pupil of both Jan Davidsz. de Heem in Utrecht and Cornelis Kick in Amsterdam. 



1. Inv. no. 363, oil on panel, 37 by 47.3 cm, signed upper center J.D. De Heem f. See Karlsruhe 1999, cat. no. 137, reproduced. 

2. Oil on panel, 34.5 by 44.5 cm., See Fred Meijer, op. cit., p. 253, cat. no. A226. 

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